tag:blogger.com,1999:blog-53717179825770360372024-02-25T16:14:36.951-05:00a passagem dos diasget up, put on your shoes, get / started, someone will finish (Diane di Prima, Revolutionary Letter #2)guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.comBlogger1199125tag:blogger.com,1999:blog-5371717982577036037.post-39343501189271684622023-06-30T07:13:00.000-04:002023-06-30T07:13:03.697-04:00uma obra de arte<p><span style="font-family: courier;"><span style="font-size: small;"> </span></span></p><p><span style="font-family: courier;"><span style="font-size: small;">todo dia cedo <br />passo pelo novo prédio da nyu na rua mercer<br />uma monstruosa torre de vidro<br />projetada por famosos arquitetos<br /><i>uma obra de arte, transparente e elegante</i><br /><br />todo dia cedo<br />passo pelas dezenas de pessoas <br />que vivem na estação de metrô vizinha ao prédio<br />seringas no bueiro das escadas<br /><br />todo dia cedo<br />passo pelo monstro de 1 bilhão de dólares<br />no inverno os moradores da rua mercer se encolhem <br />sobre saídas de ar quente</span></span></p><p><span style="font-family: courier;"><span style="font-size: small;"> </span></span></p>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-55016157154352581912023-03-18T11:26:00.002-04:002023-03-18T11:26:23.142-04:00na ponte de williamsburg<p><span style="font-family: arial; font-size: small;"> </span></p><p><span style="font-family: arial; font-size: small;">por quatro dias a chuva <br />caiu sobre a cidade<br />onde tantos sonham<br />com um uma vida melhor<br />sentados no metrô <br />a caminho do trabalho <br />às 6:11 da manhã<br />lá fora os postes de luz<br />e um mundo que não tem <br />que ser assim</span></p><p><span style="font-family: arial; font-size: small;"> </span></p>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-4392832986543182222023-02-06T12:40:00.000-05:002023-02-06T12:40:10.402-05:00utopianism #1<p><span style="font-family: arial;"> </span></p><p><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0rB7hoJGh22vXJ_ypEmQ9_ZzmmCcoIgxoLsX0732IOi1Y8ZBRSBtutWEkqLTLmLnSbfAaU1gVjBHGfE-Q-gsKwgKnxJ9sMrM7EFz7TTu539TtSMHRWx6l4cI-23lQaRqJ4KpUaaI77jru6V6d5AhFJXospN6M-DCyI46zVeFUrsGnsRSYBKPaU9Yq/s1280/thumbnail_IMG_5955.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="988" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0rB7hoJGh22vXJ_ypEmQ9_ZzmmCcoIgxoLsX0732IOi1Y8ZBRSBtutWEkqLTLmLnSbfAaU1gVjBHGfE-Q-gsKwgKnxJ9sMrM7EFz7TTu539TtSMHRWx6l4cI-23lQaRqJ4KpUaaI77jru6V6d5AhFJXospN6M-DCyI46zVeFUrsGnsRSYBKPaU9Yq/w309-h400/thumbnail_IMG_5955.jpg" width="309" /></a></span></div><span style="font-family: arial;"><br /><br /></span><p></p><p><span style="font-family: arial;">"Utopianism is the general label for a number of different ways of dreaming or thinking about, describing or attempting to create a better society" (<a href="https://www.rep.routledge.com/articles/thematic/utopianism/v-1"><i>REP</i></a>). </span></p><p><span style="font-family: arial;">In <a href="https://www.estudodecena.com/">EdC's</a> <i>Notas para a vida no LIMIAR </i>(2022), utopianism is a way of dreaming with a life "sem o capitalismo," that is, a life in which we no longer live inside this "cadáver" that "se move sugando nossas vidas, nosso passado, nossas palavras."</span></p><p><span style="font-family: arial;">This kind of utopianism is vital in a period in which <a href="https://www.youtube.com/watch?v=9VQAZfqecJg">"the future has become a kind of menace," as Franco Berardi puts it</a>, because the only thing "the future" evokes is the seemingly inevitable deterioration of an already catastrophic present. </span><span style="font-family: arial;">Not surprisingly, our relationship to this "future" is ruled by fear: "O medo do futuro se alastra," says one of the actors in the prologue of <i>Notas.</i><br /></span></p><p><span style="font-family: arial;">How do we try to "reverter" this "<i>cancelamento</i> do futuro," and, what's more, to "arrancar alegria ao futuro," and not only fear?</span></p><p><span style="font-family: arial;">To engage in utopianism is to engage in a process of "t<i>enciona[mento]</i> do futuro," instilling it with the tension of alternatives and the joyful possibility of the end of capitalism (not the end of the world but the beginning of life): "Estamos no limiar: ou vamos superar nosso modo de vida ou o exterminismo do presente já é o nosso futuro."</span></p><p><br /></p>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-80325694991279038022023-02-03T08:07:00.002-05:002023-02-03T08:14:47.710-05:00saudade of (not-yet) lost futures<p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOayfVEi4GtkkiTl9oK5HyvgB3QvCswpbntEPV4t6QRIobm57Nd5WohqzAxqNqx_ykzDcB9OKCnq5_oXxr5nyZ87fuSzNlQEe52QT1UF_fJJF7mR-fpKSN3Iy4cOqow6-pptVIafbbo6RUhkcZAfFJKGrK0jzn8TvRbGHaxvHZ749ET5r-Ine0WLsi/s768/thumbnail_IMG_5948.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="513" data-original-width="768" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOayfVEi4GtkkiTl9oK5HyvgB3QvCswpbntEPV4t6QRIobm57Nd5WohqzAxqNqx_ykzDcB9OKCnq5_oXxr5nyZ87fuSzNlQEe52QT1UF_fJJF7mR-fpKSN3Iy4cOqow6-pptVIafbbo6RUhkcZAfFJKGrK0jzn8TvRbGHaxvHZ749ET5r-Ine0WLsi/w400-h268/thumbnail_IMG_5948.jpg" width="400" /></a></div><div style="text-align: center;"><span style="font-family: arial; font-size: x-small;"><i>Notas para a vida no LIMIAR</i> (2022), photo by Sérgio Fernandes.</span><br /></div><div><p><br /></p><p><span style="font-family: arial;">I'm trying to wrap my head around two phrases from EdC's <i>Utopia da Memória</i> (2019). </span></p><p><span style="font-family: arial;">The first is "o futuro morto bem atrás." How can the future lie behind us (rather than ahead of us)? One of the things that make <i>UdM</i> so striking is that it's permeated with such instances of temporal disorientation. From our perspective, the future is by definition that which hasn't come yet; so how can it already be dead and behind us? </span></p><p><span style="font-family: arial;">Mark Fisher (via Franco "Bifo" Berardi) is helpful here, inviting us to think of "o futuro" not as a direction but as the refusal of what Fisher termed "capitalist realism," according to which "there is no alternative" to the catastrophe that is (neoliberal) capitalism. In other words, "o futuro" is the (sometimes faltering) conviction that there has to be alternatives to this cruel and unjust present. If we accept the "realistic" perspective of "capitalist realism" -- "reality is the way it is" and will inevitably continue to be "the way it is," so "there is no use in fighting" (the "neoliberal fatalism" that Paulo Freire fiercely denounced) -- then the future is dead behind us even though we keep moving forward in the direction of something that can only be an incresingly catastrophic version of the present. <br /></span></p><p><span style="font-family: arial;">It's this <a href="https://www.redebrasilatual.com.br/cultura/ocupacao-cultural-teatro-poesia-livros-cantoria-mulheres-mst/">"cancelamento do futuro"</a> (as EdC puts it alluding to Berardi and Fisher) that we desperately need to reverse. Or, to stay with the image of <i>UdM</i>, what we need to do is restore a dead future to life. (Here it's impossible not to think of Fisher's writings on "hauntology;" the future may be dead behind us, but doesn't its spectre haunt us today?)<br /></span></p><p><br /></p><p><span style="font-family: arial;">The other phrase is "saudade do que deveria ter sido." This is another instance of disorientation. We typically think of "saudade" as a longing for something or someone that was and no longer is. In this sense, we may feel "saudade" of a future that once lived and now is dead. "Saudade" thus may be how we relate to this dead future; we long for it (even, or particularly those of us who have been born under "capitalist realism"), which is why it haunts us and why we refuse not to try to restore it to life. <br /></span></p><p><span style="font-family: arial;">But how does one feel "saudade" of something that never was, something (in the past) that should have been but wasn't? For instance, <i>UdM</i> seems saturated with a "saudade" of Canudos. The "mundo utópico" of Canudos was after much resistance eventually destroyed by government forces, but what if it hadn't been? What other futures could this past have opened up to? Is this what Fisher means by "lost futures"? Is "saudade do que deveria ter sido" our deep longing for such "lost futures"? Like "o futuro," do these "lost futures" lie dead behind us?</span></p><p><span style="font-family: arial;">"Saudade do que deveria" -- and thus <i>poderia </i>-- "ter sido" is a way of relating to pasts and their "lost futures," and of relating to our own moment as haunted both by the spectres of "lost futures" and of "the future" itself, the very conviction that what we call "the present" is open to non-catastrophic, non-capitalist futures that are never lost in advance. Our "saudade" of "lost futures," and of the loss of the future we sometimes seem to accept as irreversible, may be key to the task of restoring the future to life.</span></p><p><span style="font-family: arial;"><br /></span></p><p><span style="font-family: arial;">The "Revolução Popular" of 2118-19, which is mentioned in <i>UdM</i> and haunts the future of 2062 in <i>Notas para a vida no LIMIAR</i>, may be understood as an act of restoring the future to life (rather than of predicting that a particular event will take place at a particular point in time) by announcing (in the Freirean sense of the term) a not-yet lost future in which capitalism has been overthrown, a future we can feel "saudade" of in the sense of a fierce longing for what <i>poderá ser</i>.<br /></span></p><br /></div>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-28382540670456669222023-01-24T13:27:00.001-05:002023-01-24T13:27:25.109-05:00arrancar alegria ao futuro<p><span style="font-family: arial;"> </span></p><p><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6fgRmg_XPNkNVvydsOcCbUPDLaJI8-Y57mpb_HNXy3wDGw0pzwvbKVywqJzDEg__-pBZHvqDQgqbQOEjhW740M7IFAhXbUjWFKSAxWANpysESDV6ufo0Eu7uaZMUXQrV4SifWTFnjLVZj3iBwv6awSD41y_vM5hdSRQwv7QadRM4YuME0_otxmFKv/s1280/thumbnail_IMG_5928.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="1178" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6fgRmg_XPNkNVvydsOcCbUPDLaJI8-Y57mpb_HNXy3wDGw0pzwvbKVywqJzDEg__-pBZHvqDQgqbQOEjhW740M7IFAhXbUjWFKSAxWANpysESDV6ufo0Eu7uaZMUXQrV4SifWTFnjLVZj3iBwv6awSD41y_vM5hdSRQwv7QadRM4YuME0_otxmFKv/w369-h400/thumbnail_IMG_5928.jpg" width="369" /></a></div><p></p><p><span style="font-family: arial;"> </span></p><p><span style="font-family: arial;">"Ter medo do futuro se transformou em algo comum e a necessidade de reverter o cancelamento do futuro se transformou em tarefa de parte significativa da sociedade" (<a href="https://www.redebrasilatual.com.br/cultura/ocupacao-cultural-teatro-poesia-livros-cantoria-mulheres-mst/">Estudo de Cena</a>).</span></p><p><span style="font-family: arial;">"</span><span style="font-family: arial;">O medo do futuro se alastra, a necessidade de arrancar alegria ao futuro nos atravessa" (</span><span style="font-family: arial;"><i>Notas para a vida no LIMIAR).</i></span><span style="font-family: arial;"></span></p><p><span style="font-family: arial;"><br /></span></p><p><span style="font-family: arial;">In the "Prólogo Documental" of <i>Notas para a vida no LIMIAR</i> (2022), the actors make a series of statements about our current situation:</span></p><p><span style="font-family: arial;">"Diante dos nossos olhos se aprofundam crises financeiras, ecológicas, vir</span><span style="font-family: arial;">óticas, socias. Paira no presente uma sensação, difusa, de uma crise profunda e ampla."</span></p><p><span style="font-family: arial;">"Vivemos dentro de um cadáver chamado Capitalismo, que se move sugando nossas vidas, nosso passado, nossas palavras."</span></p><p><span style="font-family: arial;">And finally: "Estamos no limiar: ou vamos superar nosso modo de vida ou o exterminismo do presente j</span><span style="font-family: arial;">á</span><span style="font-family: arial;"> é o nosso futuro."</span></p><p><span style="font-family: arial;">Our fear of the future comes from a strong feeling -- a certainty, almost -- that we won't overcome our mode of life and that the exterminism of the present already is our future. </span></p><p><span style="font-family: arial;"><br /></span><span style="font-family: arial;"></span></p><p><span style="font-family: arial;"><i>Notas para a vida no LIMIAR</i> takes place in a dystopian future that is not so distant nor so different from our present. After seeing the piece, an audience member commented that if this is what "viver sem o capitalismo" looks like, he'd rather continue to live inside this life-sucking "</span><span style="font-family: arial;">cadáver." What he didn't consider is that the dystopian future of the play is not a future "sem o capitalismo" but with it. If this future feels like "o fim do mundo," it's not because capitalism has come to an end but because it hasn't.</span></p><p><span style="font-family: arial;">But there are other, more hopeful glimpses of the future. For instance, we hear of a anti-capitalist "comunidade" that has disappeared in the year 2058, whose insurrectionary "ditado popular" was, "Não precisamos salvar o capitalismo, precisamos nos salvar dele."</span></p><p><span style="font-family: arial;">We also hear of the "revolta de 2062," in which a woman rebel "enforcou um soldado com a alça de sua blusa."</span></p><p><span style="font-family: arial;">We don't know what happens after this revolt of 2062, but it may be the start of a series of uprisings that eventually leads to the Revolu</span><span style="font-family: arial;">ç</span><span style="font-family: arial;">ã</span><span style="font-family: arial;">o Popular about which we hear in <span><em>Utopia da Memória</em></span> (2019), the group's previous work. There, someone from the future recalls "janeiro de 2119, quando a gente comemorou nas ruas os primeiros 100 dias da </span><span style="font-family: arial;">Revolu</span><span style="font-family: arial;">ç</span><span style="font-family: arial;">ã</span><span style="font-family: arial;">o Popular."</span></p><p><span style="font-family: arial;">In a letter dated "2134, ano 15 da Revolução Popular," we learn that a lot of things we think can't be abolished -- "As cercas, os latifúndios, as muralhas, as propriedades, as fortunas, o dinheiro" -- "não existem mais." Perhaps most significantly, we learn that "hoje . . . quando vamos dormir não tememos o amanhã."</span></p><p><span style="font-family: arial;"> </span></p><p><span style="font-family: arial;">In <i>Pedagogia da indignação</i> (2000), Freire wrote that "uma das bonitezas do anúncio profético está em que não anuncia o que virá necessariamente, mas o que pode vir, ou não. O seu não é um anúncio fatalista ou determinista. Na real profecia, o futuro não é inexorável, é problemático. Há diferentes possibilidades de futuro."</span></p><p><span style="font-family: arial;">To me, the act of imagining the </span><span style="font-family: arial;">Revolução Popular of 2118 is an example of prophetic-utopian annunciation. It's not that this will necessarily happen, but that it could -- and this is the point. "A realidade est</span><span style="font-family: arial;">á gr</span><span style="font-family: arial;">ávida de possibilidades," we hear in the prologue of <i>Notas para a vida no LIMIAR</i>, which is to say it is open to "the possibility -- though not the inevitability -- of <i>catastrophes</i> on the one hand and great <i>emancipatory</i> movements on the other" (Löwy, <i>Fire Alarm</i> 110). </span></p><p><span style="font-family: arial;">The anunciation of instances of uprising like the revolt of 2062 and the </span><span style="font-family: arial;">Revolução Popular of 2118 is not meant to foretell but to <a href="https://www.estudodecena.com/">"tencionar o futuro,"</a> opening it up to alternatives -- "</span><span style="font-family: arial;"><i>ou</i> vamos superar nosso modo de vida <i>ou</i> o exterminismo do presente j</span><span style="font-family: arial;">á</span><span style="font-family: arial;"> é o nosso futuro."</span></p><p><span style="font-family: arial;"> </span></p><p><span style="font-family: arial;">"Utopianism is the general label for a number of different ways of dreaming or thinking about, describing or attempting to create a better society" (<a href="https://www.rep.routledge.com/articles/thematic/utopianism/v-1"><i>REP</i></a>). </span></p><p><span style="font-family: arial;">In </span><span style="font-family: arial;"><span><em>Utopia da Memória </em>and </span></span><span style="font-family: arial;"><i>Notas para a vida no LIMIAR,</i> utopianism is a way of dreaming about "o fim do capitalismo"</span><span style="font-family: arial;"> </span><span style="font-family: arial;">so as to "</span><span style="font-family: arial;">reverter o cancelamento do futuro," and, what's more, "arrancar <i>alegria</i> ao futuro" by infusing it with the possibility of a life without capitalism. <br /></span></p><p><br /></p>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-26792721162727551892023-01-23T13:38:00.005-05:002023-01-23T13:38:38.932-05:00reinventamos nosso presente, o futuro de vocês<br /><p><span style="font-family: arial;">At the end of <span><a href="https://www.estudodecena.com/utopia-da-memoria"><i>Utopia da Memória</i></a> (2019), a "Mensageira" delivers a series of "fragmentos de correspondência" to the actors. The last of these fragments is addressed to Juliana Liegel. </span></span></p><p><span style="font-family: arial;"><span>"Filha," it begins, "antes de tudo uma pergunta: ao caminhar pela rua ainda sente na boca o gosto amargo da vida?" </span></span></p><p><span style="font-family: arial;"><span>Since the addresser refers to Liegel as "filha" and asks if she still feels the bitter taste of life in the mouth, we assume this is a "mensagem ao futuro" like the ones audience members are invited to leave at the end of the play, which </span><span>"serão gravados e enterrados para
serem desvelados daqui 100 anos em 2120."</span></span></p><p><span style="font-family: arial;"><span>The mother's following words complicate this: "Esta é a minha lembrança do passado, mas o amargo da boca alimentou a revolta."</span></span></p><p><span style="font-family: arial;"><span>The mother's question now seems rhetorical: she knows that to her daughter the bitter taste of life is not yet a memory of the past (as it is to her) but a taste she still feels in the mouth. </span></span></p><p><span style="font-family: arial;"><span>It's as if she wants to assure her daughter that this bitter taste </span><span>will one day be a memory of the past (if not to her, to those who will come after her), and, just as importantly, that it is food for revolt</span>.</span></p><p><span style="font-family: arial;"><span>"Hoje," the mother goes on, "posso dizer que quando vamos dormir n</span><span>ã</span><span>o tememos o amanh</span><span>ã</span><span>. Nossas barricadas floriram, das sementes germinaram comida e das bocas coloridas nascem sorrisos. Reinventamos nosso presente, o futuro de voc</span><span>ê</span><span>s."</span></span></p><p><span style="font-family: arial;"><span>The mother's "today" is not our past but our future. This </span><span>"fragment of correspondence" is not from the
past to the future but to the past from a revolutionary future -- more specifically, "2134,
ano 15 da Revolu</span><span>ção Popular."</span></span></p><p><span style="font-family: arial;"><span>Then how can the letter be from "Sua </span><span>m</span><span>ãe"?</span></span></p><p><span style="font-family: arial;"><span>Earlier in the play, the same actor, Juliana Liegel, recalls the year 1996 when "Eu vi minha m</span><span>ãe chorando em frente à televis</span><span>ão que noticiava o massacre de Eldorado do Carajás, onde 19 trabalhadores Sem Terra foram assassinados pela Polícia." </span></span></p><p><span style="font-family: arial;"><span>Are these two mothers the same? Has the mother died and been reborn (the same way that "Canudos morre e renasce, morre e renasce")?</span></span></p><p><span style="font-family: arial;"><span>Either way, when she reads the letter out loud, talking as if she were the addresser, the actor takes on the role of this mother from her future. <br /></span></span></p><p><span style="font-family: arial;"><span>The more I read and think about this letter, the less the distinctions between </span><span>"</span><span>m</span><span>ãe</span><span>" and "filha," and between "o povo daqui" and "o povo daí" (as the mother refers to those of 2134 and those of 2019), seem to matter.<br /></span></span></p><p><span style="font-family: arial;"><span>We would like to be assured that there is no reason to fear tomorrow, as we so strongly do these days, or at least feel that we can reinvent our present, so that the present of those who will come after us will be different.</span></span></p><p><span style="font-family: arial;"><span>We would also like to one day send this letter to those who came before us and whose future we inhabit, letting them know that their struggles were not in vain.</span></span></p><p><br /></p><br />guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-37269554088095156772023-01-19T12:50:00.001-05:002023-01-20T04:47:49.104-05:00utopismo da memória?<p><span style="font-family: arial;"> </span></p><p><span style="font-family: arial;">"Utopianism is the general label for a number of different ways of dreaming or thinking about," "envisaging," "depicting," "describing or attempting to create a better society," often "as </span><span style="font-family: arial;">a way of achieving significant social change" (<a href="https://www.rep.routledge.com/articles/thematic/utopianism/v-1"><i>REP</i></a>).</span></p><p><span style="font-family: arial;">How can we formulate a <i>utopismo da memória</i> as a way of dreaming about a better society?</span></p><p><br /></p><p><span style="font-family: arial;">At the heart of <a href="https://www.estudodecena.com/utopia-da-memoria"><i>Utopia da Memória</i></a> (2019) is the act of </span><span style="font-family: arial;">"criar </span><span style="font-family: arial;">correpondências." </span></p><p><span style="font-family: arial;">In some cases, one of the actors creates a </span><span style="font-family: arial;">"correpondência"</span><span style="font-family: arial;"> between two "fragmentos," such as </span><span style="font-family: arial;">an image of </span><span style="font-family: arial;">the <a href="https://pt.wikipedia.org/wiki/Monumento_das_Castanheiras_Mortas">Monumento das Castanheiras Mortas</a> and the day "</span><span style="font-family: arial;">Eu vi minha mãe chorando em frente à televisão que noticiava o massacre de Eldorado do Carajás," or an image of an unspecified street protest and </span><span style="font-family: arial;">"janeiro de 2119, quando a gente comemorou nas ruas os primeiros 100 dias da Revolução Popular."</span> <br /></p><p><span style="font-family: arial;">In other cases, the </span><span style="font-family: arial;">"correpondências" are established by "fragmentos" from one generation to another, such as the fictional letters from Maria Bonita "para voc</span><span style="font-family: arial;">ê</span><span style="font-family: arial;">s que habitam o meu futuro" and from a mother in 2134 (the 15th anniversary of the </span><span style="font-family: arial;">Revolução Popular)</span><span style="font-family: arial;"> to her daugther in 2019 (a hundred years away from this revolution), or the messages left by members of the audience <a href="https://www.oinoisaquitraveiz.com.br/2016/12/aos-que-virao-depois-de-nos.html">"aos que virão depois de nós"</a> (to borrow from Brecht), which will be stored and opened "daqui 100 anos, em 2120." </span></p><p><br /></p><p><span style="font-family: arial;">How can we elaborate a </span><span style="font-family: arial;"><i>utopismo da memória </i>as a way of using such fragments as links to create "una corriente" between past, present, and future generations (</span><span style="font-family: arial;">to borrow the image used by Valentina Rodríguez in the documentary <i>Nostalgia de la luz)</i>?<br /></span></p><p><span style="font-family: arial;"><br /></span></p>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-14231708987972991952023-01-19T08:44:00.001-05:002023-01-19T11:18:32.112-05:00las cosas se acaban y se acaban<p><span style="font-family: arial;"> </span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Ar9RiLyFsDLvBoU4pxvQ7Ekv6P3m7wYiuNLkiZx8I9WtVpY6ta8zazV6vu9dyrfgc_Mk0c4vF6wQmuMbQx0znC6T12YVOp-eVDzOeKRKxco2xhLlBdkXs6heZSY-T3POxjbJOMmo4qJMLYA0V-NHjHMz-NHOEXtV2kFsnejz8VOGYJ7xIlgDrqx0/s1280/thumbnail_Screenshot%202023-01-19%20at%2010-17-07%20Utopia%20da%20Memo%CC%81ria.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="722" data-original-width="1280" height="226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Ar9RiLyFsDLvBoU4pxvQ7Ekv6P3m7wYiuNLkiZx8I9WtVpY6ta8zazV6vu9dyrfgc_Mk0c4vF6wQmuMbQx0znC6T12YVOp-eVDzOeKRKxco2xhLlBdkXs6heZSY-T3POxjbJOMmo4qJMLYA0V-NHjHMz-NHOEXtV2kFsnejz8VOGYJ7xIlgDrqx0/w400-h226/thumbnail_Screenshot%202023-01-19%20at%2010-17-07%20Utopia%20da%20Memo%CC%81ria.jpg" width="400" /></a></div><div style="text-align: center;"><span style="font-size: x-small;"><i><span style="font-family: arial;">U</span></i><span style="font-family: arial;"><i>topia da Memória</i> (2019), screenshot from <a href="https://www.youtube.com/watch?v=Mgp4iSypwKg">video recording</a>.</span></span><br /></div><div><p></p><p style="text-align: left;"><span style="font-family: arial;"></span></p><p><span style="font-family: arial;"> </span></p><p><span style="font-family: arial;">"Por teimosia hist</span><span style="font-family: arial;">órica, permaneceremos mais alguns instantes juntos, juntas, colecionando fragmentos de correspond</span><span style="font-family: arial;">ência, pe</span><span style="font-family: arial;">ças desse labirinto quebrado sobre nossas cabe</span><span style="font-family: arial;">ças. </span><span style="font-family: arial;"></span><span style="font-family: arial;">E </span><span style="font-family: arial;">não esqueçam: <b>a </b></span><span style="font-family: arial;"><b>Utopia da Memória não pode ter fim</b>" (</span><a href="https://www.estudodecena.com/utopia-da-memoria"><i><span style="font-family: arial;">Utopia da Memória</span></i></a><span style="font-family: arial;">).</span><span style="font-family: arial;"></span></p><p><span style="font-family: arial;"><br /></span></p><p><span style="font-family: arial;">“Me mobiliza el hecho de que
eliminaron la generación que me sucede, me aislan del futuro, me separan
totalmente de <b>la continuidad</b>... y yo quiero recuperarla, a través de la
Memoria." </span><br /></p><p><span style="font-family: arial;">“Soy Paula Martini, hija de
desaparecidos. Marcelo, mi hermano, y Valentín, su hijo, son hijo y
nieto de desaparecidos. Hace dos años fui mamá. <b>Y yo, me multipliqué en Julia, y los multipliqué a mis padres en ella</b>. Una nieta de
desaparecidos que tal vez en el futuro, cuando sepa su historia, se
encargue de contarla, de buscarlos, de prolongar el recuerdo. [...] Mis
padres, sus abuelos, no están. [...] Mis viejos tuvieron un futuro
prohibido. [...] Uno se acostumbra pero no acepta, no encuentra las
respuestas. Así como las abuelas buscan a sus nietos, y algunos de esos
nietos hoy tenemos hijos buscando a nuestros padres, en algunos años
estos nietos buscarán abuelos. <b>No se puede matar la sangre y la
memoria</b>.” </span><span style="font-family: arial;"></span><span style="font-family: arial;"> (</span><span style="font-family: arial;">Matilde Mellibovsky and </span><span style="font-family: arial;">Paula Martini, qtd in </span><span style="font-family: arial;"></span><a href="https://repositorio.unicamp.br/acervo/detalhe/911532"><span style="font-family: arial;">Liliana Lopes Sanjurjo, <i>Sangue, identidade e verdade: mem</i></span></a><span style="font-family: arial;"><a href="https://repositorio.unicamp.br/acervo/detalhe/911532"><i>órias sobre o passado ditatorial na Argentina</i></a> 143.)</span></p><p><span style="font-family: arial;">"[Elas] [e]stabelecem assim <b>continuidades entre passado, presente e futuro</b>. A força do imperativo de memória está nos laços de sangue ('<i>no se puede matar la sangre y la memoria</i>') e a chave da continuidade nos vínculos familiares" (Sanjurjo 143). </span></p><p><span style="font-family: arial;"> </span></p><p><span style="font-family: arial;">"Irm</span><span style="font-family: arial;">ã</span><span style="font-family: arial;">os de cria</span><span style="font-family: arial;">ç</span><span style="font-family: arial;">ã</span><span style="font-family: arial;">o, Zuleide Aparecida, Luiz Carlos, Samuel e Ernesto Carlos, estiveram entre os mais jovens detidos pela ditadura: suas fotografias, marcadas com o carimbo do DOPS, atestam a condi</span><span style="font-family: arial;">ç</span><span style="font-family: arial;">ã</span><span style="font-family: arial;">o de prisioneiros pol</span><span style="font-family: arial;">íticos. Tinham idades entre 2 e 9 anos no momento da pris</span><span style="font-family: arial;">ã</span><span style="font-family: arial;">o. As </span><span style="font-family: arial;">cria</span><span style="font-family: arial;">nças foram capturadas no Vale do Ribeira em 1970, onde eram cuidados pela av</span><span style="font-family: arial;">ó. Usavam nomes falsos e sa</span><span style="font-family: arial;">íam pouco de casa. Seus pais faziam parte da Vanguarda Popular Revolucion</span><span style="font-family: arial;">ária, na luta armada contra a ditadura. Aos olhos dos militares, <b>os filhos podiam pagar pela militância dos pais</b>. O mais novo deles, Ernesto, ainda beb</span><span style="font-family: arial;">ê, presenciou as torturas do pai. Zuleide Aparecida, Luiz Carlos, Samuel e Ernesto Carlos. As quatro </span><span style="font-family: arial;"></span><span style="font-family: arial;">cria</span><span style="font-family: arial;">nças foram for</span><span style="font-family: arial;">ç</span><span style="font-family: arial;">adas ao ex</span><span style="font-family: arial;"></span><span style="font-family: arial;">ílio com a </span><span style="font-family: arial;">av</span><span style="font-family: arial;">ó" (</span><span style="font-family: arial;"><i>Utopia da Memória</i>).</span></p><p><span style="font-family: arial;"><br /></span></p><p><span style="font-family: arial;">"La Astronomía me ha ayudado de alguna manera a... yo creo que a darle otra dimensión también al tema del dolor, de la ausencia, de la perdida que... cuando uno... cuando uno lo vive de manera íntima, que son momentos también necesarios, el dolor se hace muy apremiante y pensar que <b>es todo parte de un ciclo que no comenzó ni va a terminar en mí, ni en mis padres, ni en mis hijos tal vez, sino que somos todos parte de una corriente</b>, de una energía o de materia que se recicla como ocurre con las estrellas, las estrellas tienen que morir para que surjan otras estrellas, para que surjan planetas, para que surja vida, y en ese juego yo creo que... lo que les paso a mis padres o su ausencia cobra otra dimensión, cobra otro sentido y me libera un poco a mí también de esta... de esta pena y de este dolor grande de sentir que... que <b>las cosas se acaban y se acaban</b>" (Valentina Rodríguez, qtd in <a href="https://www.historiadaditadura.com.br/post/cinema-hist%C3%B3ria-e-mem%C3%B3ria-a-perman%C3%AAncia-do-passado-no-filme-nostalgia-da-luz-de-patricio-guzm%C3%A1n">Patricio Guzmán, <i>Nostalgia de la luz</i></a>).</span></p><p><span style="font-family: arial;"> </span></p><p><span style="font-family: arial;">". . . then, there is <b>a secret agreement between past generations and the present one</b>. Then our coming was expected on earth. Then, like every generation that preceded us, we have been endowed with a <i>weak</i> messianic power, a power on which the past has a claim. Such a claim cannot be settled cheaply" (Walter Benjamin, Thesis II, "On the Concept of History").</span></p><p><span style="font-family: arial;"><br /></span></p><p><span style="font-family: arial;">". . . we are / endless as the sea, not separate, we die / a million times a day, we are born / a million times, each breath life and death: / get up, put on your shoes, <b>get / started, someone will finish</b>" (Diane di Prima, <a href="https://assets.ctfassets.net/zzo3jtyu2pmq/2cSKVd5ytirU1hEIkdue96/8ecb7a12640ae9942c5925d7ec2e8d76/diane-di-prima-revolutionary-letters.pdf">"Revolutionary Letter #2"</a>).<br /></span></p><p><span style="font-family: arial;"><br /></span></p></div>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-75129035523013484152023-01-18T08:18:00.002-05:002023-01-18T08:20:20.985-05:00a Utopia da Memória não pode ter fim<div><p><span style="font-family: arial;"> </span></p><p style="text-align: left;"><span style="font-family: arial;"></span></p><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTDPxAcwkx-FvVz4ewCI-Wzz7RBbwutmcnbh_amvxnHmqEMdpqLSDr9qGdANlUgvGB2osRVPUMPi4BX_N-fR2d7OSlHTr_UVQCKpDuO_fVUCPukRBJytgG9w_p42OtDuOrtcEDPE9_7GeIEfRwkehQkpnirVxY2Dvg9GVG-b_7rPGC4HbPMhbVTBQD/s1280/thumbnail_c3e158_ef1ea7168c3b4e7891ecffc171c4b43e~mv2.jpg"><img border="0" data-original-height="853" data-original-width="1280" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTDPxAcwkx-FvVz4ewCI-Wzz7RBbwutmcnbh_amvxnHmqEMdpqLSDr9qGdANlUgvGB2osRVPUMPi4BX_N-fR2d7OSlHTr_UVQCKpDuO_fVUCPukRBJytgG9w_p42OtDuOrtcEDPE9_7GeIEfRwkehQkpnirVxY2Dvg9GVG-b_7rPGC4HbPMhbVTBQD/w400-h266/thumbnail_c3e158_ef1ea7168c3b4e7891ecffc171c4b43e~mv2.jpg" width="400" /></a></div></div><div style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: arial;"><i>Utopia da Memória</i> (2019), photo by Fernando Solidade.</span></span><br /></div><br /><div><p></p><p><span style="font-family: arial;">"<span>Utopia da Memória. / <i>Parece</i> que estamos no lugar certo. / <i>Estamos?</i> / Sou o mensageiro do futuro <i>ou</i> do passado. / Muito prazer!" These are the opening words of <i>Utopia da Memória</i>. We're introduced to </span>"<span>Utopia da Memória" as a "lugar," but the messenger doesn't seem completely sure about the information he's conveying, such as whether he comes from the future or the past. Even the opening phrase "</span></span><span style="font-family: arial;"><span>Utopia da Memória" has a hint of uncertainty, as the complement "da Mem</span></span><span style="font-family: arial;"><span>ó</span></span><span style="font-family: arial;"><span>ria" comes after a pause and is pronounced quietly (in comparison to the loud "Utopia") and almost as if it was a question. The hesitation may be due to the presumably opposite orientations of the two terms; "Utopia," as we hear later in the play, "me lembra futuro," while "</span></span><span style="font-family: arial;"><span>Mem</span></span><span style="font-family: arial;"><span>ó</span></span><span style="font-family: arial;"><span>ria" tends to be associated with the past. </span></span><span style="font-family: arial;"><span>"</span></span><span style="font-family: arial;"><span>Utopia da Memória" brings future and past together, as does the messenger who comes from the future or the past and whose role is to "dar recados e levar recados . . . </span></span><span style="font-family: arial;"><span>correspond</span><span><span class="nA7Li mfsgsd"><span class="pttFI Pqkn2e">ê</span></span></span><span>ncias</span></span><span style="font-family: arial;"><span> entre os que foram e os que vir</span></span><span style="font-family: arial;"><span>ão</span></span><span style="font-family: arial;"><span>."</span></span></p><p><span style="font-family: arial;"><span>"L</span></span><span style="font-family: arial;"><span>á</span></span><span style="font-family: arial;"><span> dentro," the messenger explains as he guides the audience towards an entrance, "apenas fragmentos que voc</span></span><span style="font-family: arial;"><span><span class="nA7Li mfsgsd"><span class="pttFI Pqkn2e">ê</span></span></span><span>s </span>v<span>ão</span></span><span style="font-family: arial;"><span> juntar, na imaginação," the word "</span></span><span style="font-family: arial;"><span>imaginação" also pronounced as if it were followed by a question mark. "</span></span><span style="font-family: arial;"><span>Sendo assim," he continues more confidently, "tenho o prazer de informar que </span></span><span style="font-family: arial;"><span>a Utopia da </span></span><span style="font-family: arial;"><span>Memória" </span></span><span style="font-family: arial;"><span>-- and here he shouts at the top of his lungs -- "</span></span><span style="font-family: arial;"><span>n</span></span><span style="font-family: arial;"><span>ão</span></span><span style="font-family: arial;"><span> pode ter fim. / </span></span><span style="font-family: arial;"><span>Este percurso sim," he continues quietly, "</span></span><span style="font-family: arial;"><span>termina com um convite para voc</span></span><span style="font-family: arial;"><span><span class="nA7Li mfsgsd"><span class="pttFI Pqkn2e">ê</span></span></span></span><span style="font-family: arial;"><span>s enviarem uma mensagem ao futuro. / Qual a sua Utopia? / N</span></span><span style="font-family: arial;"><span>ão</span></span><span style="font-family: arial;"><span> respondam agora. / Tudo será guardado em uma cápsula do tempo." </span><span>The messenger distinguishes between </span></span><span style="font-family: arial;"><span>"Utopia da </span></span><span style="font-family: arial;"><span>Memória" and the "percurso" the audience is about to make.</span></span><span style="font-family: arial;"><span> The "percurso" ends where the play ends, with the audience leaving messages to the future (perhaps their answers to the question "Qual a sua Utopia?"). "Percurso" is thus another way to describe this "experi</span></span><span style="font-family: arial;"><span><span class="nA7Li mfsgsd"><span class="pttFI Pqkn2e">ê</span></span></span></span><span style="font-family: arial;"><span>ncia teatral," which is based on the five-year long "percurso de trabalho da Estudo de Cena"</span></span><span style="font-family: arial;"><span> (<a href="https://www.estudodecena.com/utopia-da-memoria">"Sobre a Montagem"</a>).</span></span></p><p><span style="font-family: arial;"><span>"Utopia da Me</span></span><span style="font-family: arial;"><span>m</span></span><span style="font-family: arial;"><span>ó</span></span><span style="font-family: arial;"><span>ria" seems to refer to the physical "lugar" the audience enters and goes through.</span></span><span style="font-family: arial;"><span> If this is the case, how can this place not have </span></span><span style="font-family: arial;">and end</span><span style="font-family: arial;"><span>? Once the audience has finished the "percurso" and exited the place, won't this "</span></span><span style="font-family: arial;"><span>Utopia da Me</span></span><span style="font-family: arial;"><span>m</span></span><span style="font-family: arial;"><span>ó</span></span><span style="font-family: arial;"><span>ria" have come to an end? And how does the conclusion that "</span></span><span style="font-family: arial;"><span>a Utopia da </span></span><span style="font-family: arial;"><span>Memória n</span></span><span style="font-family: arial;"><span>ão</span></span><span style="font-family: arial;"><span> pode ter fim" follow from the previous statement (</span></span><span style="font-family: arial;"><span>"L</span></span><span style="font-family: arial;"><span>á</span></span><span style="font-family: arial;"><span> dentro apenas fragmentos que voc</span></span><span style="font-family: arial;"><span><span class="nA7Li mfsgsd"><span class="pttFI Pqkn2e">ê</span></span></span><span>s </span>v<span>ão</span></span><span style="font-family: arial;"><span> juntar, na imaginação. / <i>Sendo assim</i> . . .")? One way to think of this is to distinguish between <i>utopia</i> and <i>utopianism</i>. The place "</span></span><span style="font-family: arial;"><span>Utopia da Me</span></span><span style="font-family: arial;"><span>m</span></span><span style="font-family: arial;"><span>ó</span></span><span style="font-family: arial;"><span>ria" (like the "percurso" through it) has an end, but the act of joining fragments</span></span><span style="font-family: arial;"><span> with the imagination </span></span><span style="font-family: arial;">can and has to go on<span>. This act of joining or (as another messenger puts it towards the end of the play) making "</span></span><span style="font-family: arial;"><span>correspond</span><span><span class="nA7Li mfsgsd"><span class="pttFI Pqkn2e">ê</span></span></span><span>ncias</span></span><span style="font-family: arial;"><span>" between fragments ("fragmentos de mem</span></span><span style="font-family: arial;"><span>ó</span></span><span style="font-family: arial;"><span>ria</span></span><span style="font-family: arial;"><span>" from the past and the future) can be understood as a form of utopianism, a particular <a href="https://www.rep.routledge.com/articles/thematic/utopianism/v-1">way of "dreaming or thinking about . . . a better society."</a> Differently from the "percurso" through the "lugar" called </span></span><span style="font-family: arial;"><span>"Utopia da Me</span></span><span style="font-family: arial;"><span>m</span></span><span style="font-family: arial;"><span>ó</span></span><span style="font-family: arial;"><span>ria,"</span></span><span style="font-family: arial;"><span> this <i>utopismo</i> "da </span></span><span style="font-family: arial;"><span>Me</span></span><span style="font-family: arial;"><span>m</span></span><span style="font-family: arial;"><span>ó</span></span><span style="font-family: arial;"><span>ria</span></span><span style="font-family: arial;"><span>" </span></span><span style="font-family: arial;"><span>"</span></span><span style="font-family: arial;"><span>n</span></span><span style="font-family: arial;"><span>ão</span></span><span style="font-family: arial;"><span> pode ter fim."</span></span></p><p><span style="font-family: arial;"><span>And perhaps "utopia" in </span></span><span style="font-family: arial;"><span>"Utopia da Me</span></span><span style="font-family: arial;"><span>m</span></span><span style="font-family: arial;"><span>ó</span></span><span style="font-family: arial;"><span>ria" doesn't only mean "lugar," but also "dream" (both Freire and Boal used these two terms almost interchangeably). This seems to be the case in the question "Qual a sua Utopia?" At the end of the "percurso," the audience is invited to leave messages to the future, sharing their utopia or dream with to those "que virão." Before this moment, the actor Carolina Maluf receives a fictional letter from Maria Bonita with a message "para voc</span></span><span style="font-family: arial;"><span><span class="nA7Li mfsgsd"><span class="pttFI Pqkn2e">ê</span></span></span></span><span style="font-family: arial;"><span>s que habitam o meu futuro" in which she shares her "esperança de que no século 21 tudo seja diferente." If we use our imagination to join this letter to the messenger's opening words, we see that the letter from Maria Bonita is a "mensagem ao futuro" with her answer to the question "Qual a sua Utopia?" The utopia of Maria Bonita, "planta[da] nessa terra," lives in our memory (the memory of those who inhabit her future), the same way that our utopias</span></span><span style="font-family: arial;"><span> one day will live in the memory of those who inhabit our future, <a href="https://www.ronnowpoetry.com/contents/brecht/ToThoseBorn.html">"those born later,"</a> as Brecht put it. This </span></span><span style="font-family: arial;"><span>"Utopia da Me</span></span><span style="font-family: arial;"><span>m</span></span><span style="font-family: arial;"><span>ó</span></span><span style="font-family: arial;"><span>ria" </span></span><span style="font-family: arial;"><span>"</span></span><span style="font-family: arial;"><span>n</span></span><span style="font-family: arial;"><span>ão</span></span><span style="font-family: arial;"><span> pode ter fim."</span></span></p><p><span style="font-family: arial;"><span>Still in this opening part of the play, the messenger delivers the "Primeiro fragmento de </span></span><span style="font-family: arial;"><span>correspond</span><span><span class="nA7Li mfsgsd"><span class="pttFI Pqkn2e">ê</span></span></span><span>ncia" to the actor Marilza Batista. It's an empty picture frame. The actor shows it to the audience against a curtain made of <i>lona preta</i> (the material commonly used by workers of the Landless Workers' Movement [MST] and the Homeless Workers' Movement [MTST] to build temporary dwellings) and says, "Aqui est</span></span><span style="font-family: arial;"><span>á a foto / da nossa cidade / que nós construímos / por cima da </span></span><span style="font-family: arial;"><span>água. / Uma nova cidade. / Casas como montanhas de metal / e a eletricidade dourada / a ilumina noites afora. / Fora feito / por nossa estirpe ou por outra / com ela parecida. (Pausa.) Do que </span></span><span style="font-family: arial;"><span>voc</span></span><span style="font-family: arial;"><span><span class="nA7Li mfsgsd"><span class="pttFI Pqkn2e">ê</span></span></span></span><span style="font-family: arial;"><span>s lembram ao ver essa foto?"</span></span></p><p><span style="font-family: arial;"><span>As soon as the audience goes "</span></span><span style="font-family: arial;"><span>L</span></span><span style="font-family: arial;"><span>á</span></span><span style="font-family: arial;"><span> dentro" and the first scene of the "percurso" starts, another actor shows a photo of the Açude de Cocorobó, in Bahia. The actor explains that "Sua obra foi planejada durante a ditadura Vargas e finalizada durante a ditadura civil militar," and that "embaixo dessas </span></span><span style="font-family: arial;"><span>águas est</span></span><span style="font-family: arial;"><span>á o exato local onde era o Arraial de Canudos, tamb</span></span><span style="font-family: arial;"><span>é</span></span><span style="font-family: arial;"><span>m conhecido como Belo Monte, comunidade de homens e mulheres pobres e excluídos, que ousaram construir um mundo utópico onde todas, todos, viviam do trabalho comum. Suas fronteiras eram moventes, fluidas. Em Belo Monte crescia a autonomia sertaneja que recusava a fome, o desrespeito. A elite teve medo e acionou as for</span></span><span style="font-family: arial;"><span>ç</span></span><span style="font-family: arial;"><span>as armadas. Esse povo venceu tr</span></span><span style="font-family: arial;"><span><span class="nA7Li mfsgsd"><span class="pttFI Pqkn2e">ê</span></span></span></span><span style="font-family: arial;"><span>s expedições</span></span><span style="font-family: arial;"><span> militares. Na quarta expedição, no ano de 1897, a República Brasileira invadiu o vilarejo. 5.200 casas foram consumidas pelo fogo. Os sobreviventes reconstruiram a cidade. Canudos renasceu. Ent</span></span><span style="font-family: arial;"><span>ã</span></span><span style="font-family: arial;"><span>o, em meio a ditadura militar, no ano de 1969, quando esse </span></span><span style="font-family: arial;"><span>açude</span></span><span style="font-family: arial;"><span> ficou pronto, Canudos foi novamente consumida, dessa vez consumida pelas </span></span><span style="font-family: arial;"><span>á</span></span><span style="font-family: arial;"><span>guas. Como uma F</span></span><span style="font-family: arial;"><span><span class="nA7Li mfsgsd"><span class="pttFI Pqkn2e">ê</span></span></span></span><span style="font-family: arial;"><span>nix sertaneja, Canudos morre e renasce, morre e renasce... renasce..."<br /></span></span></p><p><span style="font-family: arial;"><span>Listening to this, we recall the actor who was holding the empty picture frame. Is she someone from the future, telling us of a "nova cidade" of Canudos built "por cima da </span></span><span style="font-family: arial;"><span>água"? Is she a descendant of the <i>sobreviventes</i> of the massacre of Canudos, like <a href="https://brasil.elpais.com/brasil/2017/02/04/politica/1486239968_195098.html">Dona Durú</a>, who have built a <a href="https://brasil.elpais.com/brasil/2017/02/04/album/1486241306_007332.html#foto_gal_8">"nova Canudos"</a> near the </span></span><span style="font-family: arial;"><span>Açude de Cocorobó? </span></span><span style="font-family: arial;"><span>Is she an inhabitant of <a href="https://www.cartacapital.com.br/blogs/brasil-debate/uma-nova-canudos-em-sao-bernardo-do-campo/">Nova Canudos</a>, the </span></span><span style="font-family: arial;"><span>the </span></span><span style="font-family: arial;"><span>MTST </span></span><span style="font-family: arial;"><span>occupation</span></span><span style="font-family: arial;"><span> built in 2017 in São Bernardo do Campo, in São Paulo, where thousands have built their dwellings with the same <i>lona preta</i> against which the actor places the picture frame? Is she all of these and countless others? Like a "</span></span><span style="font-family: arial;"><span>F</span></span><span style="font-family: arial;"><span><span class="nA7Li mfsgsd"><span class="pttFI Pqkn2e">ê</span></span></span></span><span style="font-family: arial;"><span>nix sertaneja, Canudos morre e renasce." Like Canudos and its "mundo utópico," </span></span><span style="font-family: arial;"><span>"a Utopia da </span></span><span style="font-family: arial;"><span>Memória</span></span><span style="font-family: arial;"><span> n</span></span><span style="font-family: arial;"><span>ão</span></span><span style="font-family: arial;"><span> pode" and will not have "fim."</span></span></p><p><span style="font-family: arial;"><span><br /></span></span></p></div>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-76792171607595254212023-01-16T13:14:00.002-05:002023-01-16T13:14:44.591-05:00olhei para trás e só vi destruição<p> </p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJYmUnUPm3_PQCGhfM_Ad3MG2msM-e8EVdt2o6RHhhP0f276r-oO3lc45xAz1Rpx5_8v0aLpyc6hXQ82tv7rVzQRl4dJJTDyfewP_PxZaS7vrKOhZh6boO3R_O9iba6vqpgGpwPI2VhhztPGSqNF_1drl-x0MArr9YsuNMta-GRZqj0l0Trk7tRDe5/s1280/thumbnail_image.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="853" data-original-width="1280" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJYmUnUPm3_PQCGhfM_Ad3MG2msM-e8EVdt2o6RHhhP0f276r-oO3lc45xAz1Rpx5_8v0aLpyc6hXQ82tv7rVzQRl4dJJTDyfewP_PxZaS7vrKOhZh6boO3R_O9iba6vqpgGpwPI2VhhztPGSqNF_1drl-x0MArr9YsuNMta-GRZqj0l0Trk7tRDe5/w400-h266/thumbnail_image.jpg" width="400" /></a></div><div style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: arial;"><span><i>Utopia da Memória</i> (2019), photo by Fernando Solidade.</span></span></span><br /></div><div><p></p><p> </p><p><span style="font-family: arial;">"The concept of progress must be grounded in the idea of catastrophe. That things are 'status quo' <i>is</i> the catastrophe . . . Strindberg's idea: hell is not something that awaits us, but <i>this life here and now</i>" (Benjamin qtd in <span></span>Löwy, <i>Fire Alarm</i> 63).</span></p><p><span style="font-family: arial;"><br /></span></p><p><span style="font-family: arial;">Scene VIII of <a href="https://www.estudodecena.com/utopia-da-memoria"><i>Utopia da Memória</i></a> juxtaposes a nightmare had by Mateus, "menino de 15 anos morador do município de Conceição do Mato Dentro, Minas Gerais, cidade atingida pela Mineradora Anglo American," with passages from Benjamin's Thesis IX of "On the Concept of History." As we're told earlier in the play, "O Brasil </span><span style="font-family: arial;"><span>é um dos maiores produtores de min</span></span><span style="font-family: arial;"><span>ério de ferro e det</span></span><span style="font-family: arial;"><span>ém uma das maiores reserves de 'terras raras,' mat</span></span><span style="font-family: arial;"><span>éria prima para a fabricação de tablets e celulares. A exploração mineral no Brasil </span></span><span style="font-family: arial;"><span>é respons</span></span><span style="font-family: arial;">ável por centenas de crimes ambientais e sociais, como o de Mariana em 2015 e Brumadinho em janeiro deste ano [2019]," which resulted in hundreds of deaths, </span><span style="font-family: arial;">most of them of black and brown poor people. In the play, we're told that the tailing dam</span><span style="font-family: arial;"> then still in the process of being built by Anglo American in </span><span style="font-family: arial;">Conceição do Mato Dentro</span><span style="font-family: arial;"> will be seven times larger than the one that collapsed in Mariana and 24 times larger than the one that collapsed in Brumadinho.</span></p><p><span style="font-family: arial;">In his nightmare, Mateus is running away from death, which appears in the form of "aquela pessoa vestida de preto com aquela foice," but also of "água, água, água" coming in his direction</span><span style="font-family: arial;">.</span><span style="font-family: arial;"> Mateus is "no meio do caminho." "Na minha frente," he describes, "só via salvação," but keeping him from reaching salvation was a "barreira" with a sign "<span>á</span>rea restrita" and the logo of Anglo American. "Atrás de mim só tinha destruição," "</span><span style="font-family: arial;">só via caveira, gente morta, pessoa morta... at<span>é familiares meus mesmo sendo mortos..." In Mateus' nightmare, salvation is the property of the mining company (and the "empresas de tecnologia" that depend on the "exploração de min</span></span><span style="font-family: arial;"><span>ério" for the production of "tablets e celulares") responsible for the destruction he sees behind him. In a way, salvation "na minha frente" and destruction "atrás de mim" are one and the same, since the "barreira" can be understood as yet another <i>barragem</i>, even larger than the one that collapsed, which are presented to the communities they destroy as "salvation" in the form of "progress."<br /></span></span></p><p><span style="font-family: arial;">In Benjamin's Thesis, progress is figured as a "storm" meant to evoke "catastrophe and destruction," but also the fact that, "for conformist ideology, Progress is a 'natural, phenomenon, governed by the laws of nature, and as such inevitable and irresistible'" (Löwy 66). In Mateus' nightmare, progress is "aquela lama, aquela </span><span style="font-family: arial;">água" released by the collapsed dams in Mariana and Brumadinho. This image of progress and the destruction it leaves behind de-naturalizes them. At the same time (and perhaps because of the juxtaposition with Benjamin's Thesis), we're reminded that "conformist ideology" insists on describing such "</span><span style="font-family: arial;">crimes ambientais e sociais</span><span style="font-family: arial;">" with terms like "disaster," "tragedy," and even "accident," all of which suggest a sense of inevitability and lack of responsibility. ("Em 2017," we hear later in the play, "a Mineradora Vale," which owned the dams in Mariana and Brumadinho, "lucrou 17 bilhões e seiscentos milhões de reais.)<br /></span></p><p><span style="font-family: arial;">When death was about to catch him, Mateus heard "tipo um aviso! E eu acordei com o barulho. Um caminh<span>ão</span> apitando, dando uma buzina bem forte." This noise "lembra" the noise of the "sirenes de alarme" installed in areas where dams are built to warn inhabitants in case of a collapse. As determined by law, companies like Anglo American also conduct <a href="https://brasil.angloamerican.com/pt-pt/imprensa/noticias/2018/22-10-18">simulations of "rompimento da barragem de rejeitos"</a> with the goal of training the "comunidades que vivem a jusante da barragem para qualquer situação de emergência," evidencing the "</span><span style="font-family: arial;">situação de emergência</span><span style="font-family: arial;">" in which these already vulnerable communities are forced to live in the name of progress. In January 2020, shortly after <i>Utopia da Memória</i> was first performed, the <a href="https://nacab.org.br/acionamento-indevido-de-sirene-pela-anglo-american-em-2020-causa-nova-acao-civil-publica-proposta-pelo-mpmg-para-indenizacao-individual/">"sirenes de alarme" in </a></span><span style="font-family: arial;"><a href="https://nacab.org.br/acionamento-indevido-de-sirene-pela-anglo-american-em-2020-causa-nova-acao-civil-publica-proposta-pelo-mpmg-para-indenizacao-individual/">Conceição do Mato Dentro were irregularly sounded by Anglo American</a>, causing inhabitants to experience "durante várias horas, verdadeira situação de rompimento, rememorando os desastres ocorridos em Mariana e em Brumadinho e sofrendo com intensa dor e sofrimento psíquico pelo temor de perda de vidas humanas e de bens pessoais." Darcília Pires de Sena, an inhabitant of </span><span style="font-family: arial;">Conceição do Mato Dentro whose recorded account of the effects of Anglo American in the area appears in </span><span style="font-family: arial;"><i>Utopia da Memória </i>(<a href="https://www.youtube.com/watch?v=Mgp4iSypwKg">11:24</a>), describes these sirens as existing "para marcar a minha morte, a hora que eu vou morrer, porque ningu</span><span style="font-family: arial;"><span>é</span></span><span style="font-family: arial;">m vai aguentar correr. E se a gente estiver dormindo? Então sirene para nós aqui não vale nada. Eu não assino por sirene nenhuma. Deixa n</span><span style="font-family: arial;">ós</span><span style="font-family: arial;"> morrer em silêncio." The sirens mark the death of those whose lives are deemed to matter less than what can be extracted from their land</span><span style="font-family: arial;"><span> -- a death that is known in advance, simulated, always lurking behind "vestida de preto com aquela foice," "com aquela lama, aquela </span></span><span style="font-family: arial;"><span>á</span></span><span style="font-family: arial;"><span>gua," as in Mateus' nightmare.</span></span></p><p><span style="font-family: arial;"><span>According to </span></span><span style="font-family: arial;">Löwy, </span><span style="font-family: arial;">"in a sense, [Benjamin's] whole work," particularly "On the Concept of History" and Thesis IX, which "sums up . . . the whole of the document" (62), "can be regarded as a kind of 'fire alarm'" -- "tipo um aviso!" as Mateus exclaims -- "to his contemporaries, a warning bell attempting to draw attention to the imminent dangers threatening them, to new catastrophes looming on the horizon" (16). This is another way to understand the "barulho" that Mateus heard, and that <i>Utopia da Memória</i> attempts to sound, drawing attention to </span><span style="font-family: arial;">the "situação de emergência" that is the status quo, "this life here and now." "Eu olhei para trás e só vi destruição," Mateus recalls of his nightmare, but the destruction behind him is not so much a</span><span style="font-family: arial;"> "pile of debris . . . grow[ing] towards the sky,"</span><span style="font-family: arial;"> as in Benjamin's image (</span><span style="font-family: arial;">qtd in </span><span style="font-family: arial;">Löwy</span><span style="font-family: arial;"> 62), but a <a href="https://webdoc.france24.com/brazil-dam-mining-disaster-mariana/">trail extending for miles and miles</a>, from the past into the present and future unless we do something to stop it.</span></p><p><span style="font-family: arial;">This trail of destruction works as </span><span style="font-family: arial;">"a poignant image of the catastrophes, massacres and other bloody works of history" (64). In scene IX of </span><span style="font-family: arial;"><i>Utopia da Memória, </i>one of the actors holds in one hand a photograph of the aftermath of the dam collapse in Mariana in 2015 and in the other a photo of the aftermath of the massacre in Carandiru in 1992 (<a href="https://www.estudodecena.com/utopia-da-memoria">image 11/15</a>). Earlier, in scene IV, fragments of the speech by Ivan Sartori, "relator do processo que absolveu os 74 policiais militares envolvidos no massacre do Carandiru que resultou em 111 presos assassinados" are juxtaposed with fragments of two speeches by Bolsonaro, from 2016 and 2018, in which he advocates for the use of gun violence by "pessoas de bem" (the police and landwoners) against </span><span style="font-family: arial;">the "marginais vermelhos" of the Landless Workers' Movement (MST). Just as Sartori denied the massacre of 111 incarcerated people in Carandiru -- "Não houve massacre. Houve obediência hier</span><span style="font-family: arial;">á</span><span style="font-family: arial;">rquica. House leg</span><span style="font-family: arial;">í</span><span style="font-family: arial;">tima defesa. Houve estrito cumprimento legal" -- Bolsonaro implicitly denied the massacre of 21 landless workers in Eldorado do Carajás in 1996. In 2019 Bolsonaro declared his intention to concede pardon to military police officers involved in these two massacres, which, <a href="https://midianinja.org/juanmanuelpdominguez/indulto-aos-autores-do-massacre-de-carandiru-mais-um-crime-de-bolsonaro/">in the case of the Carandiru massacre, he did just eight days before leaving office in 2022</a>. In Benjamin's Thesis, the "storm" of progress "is responsible for an unremitting catastrophe and a pile of ruins rising up to the sky" (63). In </span><span style="font-family: arial;"><i>Utopia da Memória</i>, the trail of destruction that keeps getting longer and longer (and that includes the destruction of lives in Carandiru, Eldorado dos Caraj</span><span style="font-family: arial;">ás, Mariana, and Brumadinho) is inextricable from the "bandeira da 'ordem e progresso.'" <br /></span></p><p><span style="font-family: arial;">Looking at the trail of destruction, "Ele" (Benjamin's angel, the boy Mateus) "gostaria de deter-se para acordar os mortos e juntar os fragmentos." We recall the words of the "Mensageiro" at the "entrada" of the play -- </span><span style="font-family: arial;">"Lá dentro apenas fragmentos que voc</span><span style="font-family: arial;">ê</span><span style="font-family: arial;">s vão juntar, na imaginação." </span><span style="font-family: arial;">Is this what we're called on to do in this "experi</span><span style="font-family: arial;">ê</span><span style="font-family: arial;">ncia teatral" as we embark on a "percurso" of the "lugar" called "Utopia da Mem</span><span style="font-family: arial;">ória"</span><span style="font-family: arial;">?<br /></span></p><br /></div>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-88599355887380840792023-01-13T13:36:00.001-05:002023-01-13T13:36:57.124-05:00reinventar o passado e inventar o futuro<p><span style="font-family: arial;"> </span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNUgORa-4q3IPy7BUuQbNW1ylHwOSM9hcpMrg7L7vcn28fPslq7O9jrlAViYxOiCzUcbUb-rziVwTPhkZ-k-0STbUiyA4zHX7gQEpaOMAFl7TIhuDbtVInp_-KgRRgClpzCo-eq2k4yY8mBeTvIeeueXiODTL4tKfTj0FH9WYUowDSwxomvNF9_dTZ/s1280/thumbnail_Screenshot%202023-01-13%20at%2011-15-18%20Utopia%20da%20Memo%CC%81ria.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="633" data-original-width="1280" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNUgORa-4q3IPy7BUuQbNW1ylHwOSM9hcpMrg7L7vcn28fPslq7O9jrlAViYxOiCzUcbUb-rziVwTPhkZ-k-0STbUiyA4zHX7gQEpaOMAFl7TIhuDbtVInp_-KgRRgClpzCo-eq2k4yY8mBeTvIeeueXiODTL4tKfTj0FH9WYUowDSwxomvNF9_dTZ/w400-h198/thumbnail_Screenshot%202023-01-13%20at%2011-15-18%20Utopia%20da%20Memo%CC%81ria.jpg" width="400" /></a></div><div style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: arial;"><i>Utopia da Memória</i> (2019), screenshot from <a href="https://www.youtube.com/watch?v=Mgp4iSypwKg">video recording</a>.</span></span><br /></div><div><p><span style="font-family: arial;"> </span></p><p><span style="font-family: arial;">"O teatro . . . nos proporciona a possibilidade de . . . fundir memória e imaginação -- que são dois processos psíquicos indissociáveis --
de, no presente, reinventar o passado e inventar o futuro" (Boal, <i>Teatro Legislativo</i> 44). </span></p><p><span style="font-family: arial;">"[N]ão será [a </span><span style="font-family: arial;">memória]</span><span style="font-family: arial;"> apenas um espaço onde a imaginação se exerce, onde organiza registros de emoções, pensamentos, sensações havidas, onde inventa o futuro e reinventa o passado? (34). <br /></span></p><p><span style="font-family: arial;"><br /></span></p><p><span style="font-family: arial;">In the final scene of </span><span style="font-family: arial;"><i>Utopia da Memória</i></span><span style="font-family: arial;">, each of the actors holds a photograph and shares what it reminds them of. One actor holds a photo of the <a href="https://pt.wikipedia.org/wiki/Monumento_das_Castanheiras_Mortas">Monumento das Castanheiras Mortas</a> and says, "Esta foto me lembra o ano de 1996. Eu vi minha </span><span style="font-family: arial;">mãe chorando em frente <span>à</span> televisão que noticiava o massacre de <span>Eldorado do Carajás</span>, onde 19 trabalhadores Sem Terra foram assassinados pela <span>Polícia. Alguns meses depois, na PUC de S</span></span><span style="font-family: arial;"><span>ão</span></span><span style="font-family: arial;"><span> Paulo, ela colaborou com uma exposi</span></span><span style="font-family: arial;">ç</span><span style="font-family: arial;"><span>ão</span></span><span style="font-family: arial;"><span> de fotos de Sebastião Salgado sobre o Movimento dos Trabalhadores Sem Terra, o MST." </span></span><span style="font-family: arial;">A photo of the monument to the landless workers who were murdered by the police on 17 April 1996 "lembra"</span><span style="font-family: arial;"> the sight of the mother crying as she watched the news of the massacre on television.</span></p><p><span style="font-family: arial;">Then, another actor holds a photo </span><span style="font-family: arial;"><span>and says, "</span></span><span style="font-family: arial;">Esta foto me lembra </span><span style="font-family: arial;">janeiro de 2119, quando a gente comemorou nas ruas os primeiros 100 dias da Revolu</span><span style="font-family: arial;">ç</span><span style="font-family: arial;">ã</span><span style="font-family: arial;">o Popular." Since </span><span style="font-family: arial;">there is no photo of this imagined future event, the group uses a photo of the actors Roberto Kroupa (who is holding the photo) and Juliana Liegel</span><span style="font-family: arial;"> at one of the <a href="https://www.brasildefato.com.br/2017/05/16/sao-paulo-congelamento-de-verba-para-cultura-impacta-periferias-dizem-ativistas"><i>manifesta</i></a></span><a href="https://www.brasildefato.com.br/2017/05/16/sao-paulo-congelamento-de-verba-para-cultura-impacta-periferias-dizem-ativistas"><span style="font-family: arial;"><i>ções</i> organized by the Frente Única da Cultura</span><span style="font-family: arial;"> in </span><span style="font-family: arial;"><span>S</span></span><span style="font-family: arial;"><span>ão</span></span><span style="font-family: arial;"><span> Paulo </span></span><span style="font-family: arial;">in 2017</span></a><span style="font-family: arial;">. It's as if the person we're hearing is an inhabitant of our distant future (he uses the subject "a gente" and the verb <i>comemorar</i> in the past tense), whose memory of this celebration is triggered by the photo. It doesn't really matter whether the photo has any direct relation to the </span><span style="font-family: arial;">Revolu</span><span style="font-family: arial;">ç</span><span style="font-family: arial;">ã</span><span style="font-family: arial;">o Popular; it's a photo of people protesting in the streets -- and, it seems, celebrating (see 1:02:42 of the <a href="https://www.youtube.com/watch?v=Mgp4iSypwKg">video</a>) -- and thus it reminds him of the street celebration of the first hundred days of the Popular Revolution.</span></p><p><span style="font-family: arial;">At the start and end of the play we're told by a messenger that "</span><span style="font-family: arial;"><span class="color_14">Utopia da Memória</span></span><span style="font-family: arial;">" is a place -- </span><span style="font-family: arial;">"</span><span style="font-family: arial;"><span class="color_14">Utopia da Memória</span> / Parece que estamos no lugar certo" -- where we'll have to "juntar" or "fazer correspondências" between "fragmentos" "na imagina</span><span style="font-family: arial;">ç</span><span style="font-family: arial;">ã</span><span style="font-family: arial;">o</span><span style="font-family: arial;">." The preposition "na" suggests a notion of imagination as a space in which we can join seemingly disconnected fragments, including "fragmentos de m</span><span style="font-family: arial;"><span class="color_14">emória." In the second quotation at the top, Boal refers to memory as </span></span><span style="font-family: arial;">"</span><span style="font-family: arial;">um espaço </span><span style="font-family: arial;">onde a imaginação se exerce, onde organiza registros
de emoções, pensamentos, sensações havidas, onde inventa o futuro e
reinventa o passado? (34). </span><span style="font-family: arial;">I find Boal's description (in the first quotation) of imagination and memory as <span>"dois processos psíquicos indissociáveis" more helpful (4), as it invites us to think of the acts of imagining and remembering as (indissociable) forms of joining or making correspondences between fragments.</span></span></p><p><span style="font-family: arial;"><span>How do we join the photo of a past manifesta</span></span><span style="font-family: arial;">ç</span><span style="font-family: arial;">ã</span><span style="font-family: arial;">o</span><span style="font-family: arial;"><span> with what we're hearing about January 2119? We're told at the start of the play we'll have to join fragments, "na" or with the imagination, but also, "tragam junto suas </span></span><span style="font-family: arial;">m</span><span style="font-family: arial;"><span class="color_14">emórias, elas ser</span></span><span style="font-family: arial;">ã</span><span style="font-family: arial;"><span class="color_14">o necessari</span></span><span style="font-family: arial;"><span>á</span></span><span style="font-family: arial;"><span class="color_14">s." I may not know when or where the protest in the photo took place, but the photo "me lembra" when my partner and I marched across the Brooklyn Bridge chanting with hundreds, perhaps thousands of protestors all the way to Abolition Park (as the occupation at City Hall had been renamed) in the summer of 2020 following the police killing of George Floyd. The </span></span><span style="font-family: arial;">Revolu</span><span style="font-family: arial;">ç</span><span style="font-family: arial;">ã</span><span style="font-family: arial;">o Popular</span><span style="font-family: arial;"><span class="color_14"> </span></span><span style="font-family: arial;"><span class="color_14">of <i>Utopia da Memória</i> may never happen, but the photo "me lembra" that struggles for justice are happening and will continue to happen till "tudo seja diferente."</span></span><span style="font-family: arial;"><span class="color_14"><br /></span></span></p><p><span style="font-family: arial;"><span class="color_14"></span></span> <br /></p></div>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-54484378700774776982023-01-12T15:02:00.002-05:002023-01-12T15:02:45.595-05:00ainda sente na boca o gosto amargo da vida?<div><p> </p><p></p><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnqF8C_ockpaVtenqfn39RiDMzpRN8fyCeiaDwHTVvZBQ9XM6QHTJ9F1B76kr42rb08U4a5Pp7byfqfa0Q5eG6hA_49vD9mA26vJJdXsZ3FLrgQ_pHIIkPFL0A_wLl1WWNbAS_kNshYCrnQEDONAwKxsxXNFjGUPJtSgLlDa7BzFculHT9k34p8poP/s1280/thumbnail_Screenshot%202023-01-12%20at%2014-25-11%20Utopia%20da%20Memo%CC%81ria.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="719" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnqF8C_ockpaVtenqfn39RiDMzpRN8fyCeiaDwHTVvZBQ9XM6QHTJ9F1B76kr42rb08U4a5Pp7byfqfa0Q5eG6hA_49vD9mA26vJJdXsZ3FLrgQ_pHIIkPFL0A_wLl1WWNbAS_kNshYCrnQEDONAwKxsxXNFjGUPJtSgLlDa7BzFculHT9k34p8poP/w400-h225/thumbnail_Screenshot%202023-01-12%20at%2014-25-11%20Utopia%20da%20Memo%CC%81ria.jpg" width="400" /></a><span style="font-size: x-small;"><span style="font-family: arial;"><i> </i></span></span></div><div style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: arial;"><i>Utopia da Memória</i> (2019), screenshot from <a href="https://www.youtube.com/watch?v=Mgp4iSypwKg">video recording</a>.</span></span><br /></div><p></p></div> <div><p><span style="font-family: arial;">". . . then there is a secret agreement between past generations and the present one. Then our coming was expected on earth. Then, like every generation that preceded us, we have been endowed with a weak messianic power, a power on which the past has a claim. Such a claim cannot be settled cheaply" (Benjamin, Thesis II of "On the Concept of History").<br /></span></p><p><span style="font-family: arial;">"The defeated of June 1848 . . . await from us not just the remembrance of their suffering, but reparation for past injustices and the achievement of their social utopia" (Löwy, <i>Fire Alarm</i> 32).</span></p><p><span style="font-family: arial;"> </span></p><p><span style="font-family: arial;">The final part of <a href="https://www.estudodecena.com/utopia-da-memoria"><i>Utopia da Memória</i></a> is made up of four fictional letters delivered to the actors by a "Mensageira." The first three are sent by people from the past: the <i>cangaceira</i> Maria Bonita, murdered by the police on 28 July 1938; the <i>funkeiro</i> MC Daleste, murdered on 7 July 2013; and a <i>soldado</i> who participated in the massare of Canudos in 1896-7.</span></p><p><span style="font-family: arial;">In the letter to the actor Carolina Maluf, Maria Bonita speaks to us "que habitam o meu futuro" from a time when "As cercas do latifúndio crescem e criam raízes," "O governo levanta a bandeira da 'ordem e progresso,'" and "O fascismo corre como serpente pelas ruas das cidades e pelas estradas e trilhas da caatinga." It's heartbreaking to hear of her "esperança que no s<span>é</span>culo 21 tudo seja diferente" just a few days after Bolsonaristas stormed government buildings in Brasília in another demonstration that we live in a moment in the 21st century when fascism slithers like a serpent through Brazil and many other parts of the world. For us, inhabitants of her future at the start of 2023, the hope of Maria Bonita already begins to feel like a "saudade do que deveria ter sido" and was not. Her closing statement that "Esta carta" (like her </span><span style="font-family: arial;"><i>esperança</i>)</span><span style="font-family: arial;"> </span><span style="font-family: arial;"><span>"é para vocês que habitam o meu futuro" rings like a demand for us not only to remember the suffering of the dead but to stand up against fascism and do what we can to fulfill the longing of past generations -- of our generation -- for a future in which "tudo seja diferente."<br /></span></span></p><p><span style="font-family: arial;"><span>The fourth </span></span><span style="font-family: arial;">and final letter, sent to the actor Juliana Liegel, is signed "Com amor, / Sua mãe" and dated "2134, ano 15 da Revolução Popular." It comes from a future moment in the 21st century in which the hope of Maria Bonita has been fulfilled and everything is different -- "As cercas, os </span><span style="font-family: arial;">latifúndios, as muralhas, as propriedades, as fortunas, o dinheiro... </span><span style="font-family: arial;">não existem mais. S</span><span style="font-family: arial;">ão fotos de Museu, </span><span style="font-family: arial;"><span>é preciso lembrar. Aqui a memória é o combustível da </span></span><span style="font-family: arial;">revolução.</span><span style="font-family: arial;">"<span> It opens with a question: "ao caminhar pela rua ainda sente na boca o gosto amargo da vida?" The mother's question makes me think of "saudade do que deveria ter sido," and whether this yearning for what should have been is part of what leaves us walking the streets with a bitter taste in the mouth. Yes, we still feel it, hoping one day it will be </span></span><span style="font-family: arial;"><span>a "</span></span><span style="font-family: arial;"><span>lembran</span></span><span style="font-family: arial;">ç</span><span style="font-family: arial;"><span>a do passado," as it has become to the mother; "mas," she assures us, however bitter this taste may be (she knows, she has felt it too), and however much we want to be rid of it, "o amargo da boca alimentou a revolta," which is why she seems to remember it fondly.</span></span></p><p><span style="font-family: arial;"><span>How can the actor's mother send her a letter from the year 2134?</span></span><span style="font-family: arial;"> Is the mother an older version of the daughter sending a message to herself in the past (the same way audience members are invited at the of the play to send messages to the future), letting her younger self know that she won't have to taste "o gosto amargo da vida" forever in her mouth, at least not if she uses it to feed her spirit of revolt?</span><span style="font-family: arial;"><span> In Thesis XII of "On the Concept of History," Benjamin claimed that the present "task of liberation" is carried out "in the name of generations of the downtrodden" (of those whose future we inhabit), and that those fighting against oppression "are nourished by the image of enslaved ancestors rather than the ideal of liberated grandchildren." The letter complicates Benjamin's formulation, for (chronologically speaking) it presents a descendant of the daughter (and of "o povo daí," as the author of the letter refers to the people of 2019) as her liberated ancestor. </span></span><span style="font-family: arial;">How is "o povo daqui" (of 2134), "que quando vamos dormir </span><span style="font-family: arial;">não</span><span style="font-family: arial;"> tememos o amanh</span><span style="font-family: arial;">ã</span><span style="font-family: arial;">," our ancestors and our descendants and ourselves all at the same time?</span></p><p><br /></p></div>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-6009456414436412312023-01-11T16:23:00.001-05:002023-01-11T16:23:40.189-05:00saudade do que deveria ter sido<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: left;"> </div><div class="separator" style="clear: both; text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLxrRbsa8GK_Y3xV4tzR3IKUt0M1mwPcbY6sNVuohUZ8vNZxNE2piwmCcPr4LMMyYnCReVK7JJ-kwOVlcsUK7udCXeDvijYwn8SQjO3e_UeMzz8oGdQcIPXXvCSXek3efUQVkhfHLaap6NAVdMYd9phUZUDjOcJ7I3ftFnks2K0322sFdE0qik6r0P/s1575/utopia%20da%20memoria.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1050" data-original-width="1575" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLxrRbsa8GK_Y3xV4tzR3IKUt0M1mwPcbY6sNVuohUZ8vNZxNE2piwmCcPr4LMMyYnCReVK7JJ-kwOVlcsUK7udCXeDvijYwn8SQjO3e_UeMzz8oGdQcIPXXvCSXek3efUQVkhfHLaap6NAVdMYd9phUZUDjOcJ7I3ftFnks2K0322sFdE0qik6r0P/w400-h266/utopia%20da%20memoria.webp" width="400" /></a></div></div><div style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: arial;"><i>Utopia da Memória</i> (2019), photo by Fernando Solidade.</span></span><br /></div><div><p><br /></p><p><span style="font-family: arial;">In the final part of <a href="https://www.estudodecena.com/utopia-da-memoria"><i>Utopia da Mem<span>ó</span>ria</i></a>, by the Brazilian theater group Estudo de Cena, a chorus repeats the phrase "saudade do que deveria ter sido."</span></p><p><span style="font-family: arial;"><a href="https://michaelis.uol.com.br/moderno-portugues/busca/portugues-brasileiro/saudade/">According to the dictionary</a>, <i>saudade</i> is a "Sentimento nostálgico e melancólico associado à recordação de pessoa ou coisa ausente, distante ou extinta, ou à ausência de coisas, prazeres e emoções experimentadas e já passadas, consideradas bens positivos e desejáveis."</span></p><p><span style="font-family: arial;">Still according to the dictionary, saudade is also a type of song, a "Cantiga entoada por marinheiros em alto-mar." Perhaps an example is the song <a href="https://novabrasilfm.com.br/notas-musicais/curiosidades/no-dia-do-marinheiro-a-historia-da-cancao-marinheiro-so/">"Marinheiro Só,"</a> "uma cantiga de roda tradicional brasileira, que era cantada pelos pescadores e marinheiros, antes de deixarem suas casas e famílias para trás para embarcarem em seus ofícios pelos mares," which has been interpreted by artists such as Clementina de Jesus and Caetano Veloso. <br /></span></p><p><span style="font-family: arial;">In <i>Utopia da Memória</i>, the phrase </span><span style="font-family: arial;">"saudade do que deveria ter sido"</span><span style="font-family: arial;"> is uttered by the chorus like a song (see <a href="https://www.youtube.com/watch?v=Mgp4iSypwKg">01:07:26</a>), the word saudade pronounced slowly, marking its three syllables, followed by a brief pause before the rest of the phrase -- which derives its (perhaps melancholy) power from the sudden joining in of voices and the alliteration of the "d" sound (sau<b>d</b>a<b>d</b>e <b>d</b>o que <b>d</b>everia ter si<b>d</b>o).<br /></span></p><p><span style="font-family: arial;">I can't stop thinking of this phrase. How can we feel saudade not of something that was (and no longer is) but of something that (could and) should have been but was not?</span></p><p><span style="font-family: arial;">I'm reminded of a passage from Silvia Federici's <i>Caliban and the Witch</i> (</span><span style="font-family: arial;">to which I keep returning over and over again):</span><span style="font-family: arial;"> "Capitalism was the counter-revolution that destroyed the possibilities that had emerged from the anti-feudal struggle -- possibilities, which, if realized, might have spared us the immense destruction of lives and the natural environment that has marked the advance of capitalist relations worldwide" (21). When I read this passage I feel saudade of these possibilities and what their realization "might have spared us."</span></p><p><span style="font-family: arial;">"Saudade do que deveria ter sido;" saudade (like the utopia of the play's title) <a href="https://michaelis.uol.com.br/moderno-portugues/busca/portugues-brasileiro/de/">"made of" or "originated from"</a> our memory of past unrealized possibilities? If we can feel "saudade do que deveria ter sido," can we feel "saudade do que n</span><span><span style="font-family: arial;">ão existiu [ainda]," a saudade made of or originated from our "mem</span></span><span style="font-family: arial;">ória do futuro"? "Qual a sua saudade </span><span style="font-family: arial;">do que n</span><span><span style="font-family: arial;">ão existiu? Qual a sua </span></span><span><span style="font-family: arial;">mem</span></span><span style="font-family: arial;">ória do futuro?," which perhaps are different ways of asking "Qual a sua Utopia?," the word utopia synonymous with "memory of the future" and the feeling of saudade (for what hasn't existed yet) it gives rise to. </span></p><p><span style="font-family: arial;">At one point in </span><span style="font-family: arial;"><i>Utopia da Memória</i></span><span style="font-family: arial;">, one of the actors looks at a photograph (of a protest) and recalls "janeiro de 2119, quando a gente comemorou nas ruas os primeiros 100 dias da Revolução Popular." The actor could be a representative of "os que vir</span><span style="font-family: arial;">ã</span><span style="font-family: arial;">o" after us, someone who inhabits our future (the same way that we, for Maria Bonita, are the ones "que habitam o meu futuro") and is remembering the celebration of the first hundred days of the Popular Revolution in January 2119, a hundred years after "janeiro de 2019," when "o atual presidente </span><span style="font-family: arial;">assinou o decreto que facilita a posse de armas no Brasil." For this comrade of a future generation, the celebration of the first hundred days of the revolution (and the revolution itself) is a memory of the past, but for us it's a </span><span><span style="font-family: arial;">memory of the future</span></span><span style="font-family: arial;">, of a "passado que vir</span><span style="font-family: arial;">á</span><span style="font-family: arial;">." The actor gives us one answer to the question "Qual a sua Utopia," your "</span><span><span style="font-family: arial;">mem</span></span><span style="font-family: arial;">ória do futuro</span><span><span style="font-family: arial;">?"
It's a popular revolution that would abolish "As cercas, os
latifúndios, as muralhas, as propriedades, as fortunas, o dinheiro..."<br /></span></span></p><p><span style="font-family: arial;">I feel saudade of</span><span style="font-family: arial;"> January 2119 when we'll fill the streets to celebrate the first hundred days of the </span><span style="font-family: arial;">Revolução Popular</span><span style="font-family: arial;">. Will this one day be someone else's "saudade do que deveria ter sido" and was not?<br /></span></p><p><span style="font-family: arial;"><br /></span></p></div>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-63224394908082559992022-09-21T20:57:00.008-04:002022-11-15T07:50:10.662-05:00uma breve história do tempo<p><br /></p><div><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">meu pai me deu esse livro num aniversário </span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">quando minha mãe e ele já eram separados</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">e eu vivia em outro país</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"> </span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">meu pai e eu quase não nos falávamos</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">e ficamos três anos sem nos ver</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"> </span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">ele não sabia o que me dar de aniversário</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">sabia que eu gostava de ler</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">então escolheu um livro </span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">que talvez tivesse algo a ver comigo</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"> </span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">nunca li o livro </span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">e toda vez que o vejo na estante </span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">me sinto culpado</span></p><br /><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">não sei porque lembrei disso</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">no dia em que a gente descobriu </span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">que a gravidez que tinha nos deixado tão felizes</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">era “inviável”</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><br /></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><br /></span></p></div>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-45270483904374693412022-08-30T07:43:00.002-04:002022-08-30T07:43:41.741-04:0019 de agosto de 2022, 10:59<p dir="ltr" id="docs-internal-guid-909cf0e0-7fff-30e2-cc2c-aceaa219007f" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Calibri,sans-serif; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;"> </span></p><p dir="ltr" id="docs-internal-guid-909cf0e0-7fff-30e2-cc2c-aceaa219007f" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: #666666;"><span style="background-color: transparent; font-family: Calibri, sans-serif; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">o destino dos que querem parar o tempo está traçado</span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: #666666;"><span style="background-color: transparent; font-family: Calibri, sans-serif; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">mas não é irreversível</span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: #666666;"><span style="background-color: transparent; font-family: Calibri, sans-serif; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">nosso destino é outro</span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: #666666;"><span style="background-color: transparent; font-family: Calibri, sans-serif; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">um destino em aberto fruto do luto e da luta </span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: #666666;"><span style="background-color: transparent; font-family: Calibri, sans-serif; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">pelo sonho de um mundo sem capitalismo</span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: #666666;"><span style="background-color: transparent; font-family: Calibri, sans-serif; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">um mundo em que mortos possam enfim descansar</span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: #666666;"><span style="background-color: transparent; font-family: Calibri, sans-serif; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">em que vivos possam viver</span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: #666666;"><span style="background-color: transparent; font-family: Calibri, sans-serif; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">e quem virá depois possa lembrar</span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: #666666;"><span style="background-color: transparent; font-family: Calibri, sans-serif; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">que diante do ressurgimento do fascismo</span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: #666666;"><span style="background-color: transparent; font-family: Calibri, sans-serif; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">nunca nos demos por vencidos ou aceitamos </span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: #666666;"><span style="background-color: transparent; font-family: Calibri, sans-serif; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">que estava acabado</span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Calibri,sans-serif; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;"><br /></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Calibri,sans-serif; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;"><br /></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Calibri,sans-serif; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;"></span></p>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-11938463660320511752022-03-30T06:43:00.006-04:002022-11-15T07:51:39.083-05:00where i know covid from<p dir="ltr" id="docs-internal-guid-ee51be10-7fff-38db-9ac0-b64aac983798" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: 13.5pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><br /></span></p><p dir="ltr" id="docs-internal-guid-ee51be10-7fff-38db-9ac0-b64aac983798" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: medium; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">i know covid from my partner’s panic attacks</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: medium; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">she had been better for a while and off her medication but during the pandemic she </span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: medium; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">began to struggle with anxiety again like so many of us</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: medium; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">i felt responsible for taking care of her because our friends and family are back home and </span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: medium; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">i was the one who pushed us to move to new york</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: medium; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">i was anxious and afraid most of the time too</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: medium; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">how can i help my partner when i’m also falling into pieces</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: medium; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">i felt i had to somehow “keep it together” </span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: medium; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">which in my life usually means abusing some substance</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: medium; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">i couldn’t share how much i was struggling</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: medium; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">and how much i wanted and needed to be taken care of</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: medium; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">my partner made plenty of space for me to do so, or did the best she could</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: medium; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">i have a hard time letting others know when i’m breaking down</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: medium; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">including myself</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: 13.5pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"> </span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: 13.5pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><br /></span></p>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-13755765336277546472022-03-29T11:43:00.001-04:002022-11-15T07:53:26.215-05:00where i know covid from<p dir="ltr" id="docs-internal-guid-fffb3655-7fff-cc4b-c024-954e4d4007aa" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: 13.5pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"> </span></p><p dir="ltr" id="docs-internal-guid-fffb3655-7fff-cc4b-c024-954e4d4007aa" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond, serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">i know covid from being afraid my father was gonna get ill and die because his lungs are </span></span></p><p dir="ltr" id="docs-internal-guid-fffb3655-7fff-cc4b-c024-954e4d4007aa" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond, serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">fucked from decades of smoking and because he’s almost 70 and i wasn’t gonna </span></span></p><p dir="ltr" id="docs-internal-guid-fffb3655-7fff-cc4b-c024-954e4d4007aa" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond, serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">get a chance to hug him and comfort him before he died</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond, serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">on january 12, 2022, i called him early in the morning and he didn’t pick up</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond, serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">an hour later i got a text from my brother saying “dad was hospitalized” </span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond, serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">my fear came true</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond, serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">my brother and i got to stay near my father the whole time during the twelve days it took </span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond, serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">him to get better and leave the hospital </span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond, serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">we got to comfort each other and help take care of our father</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond, serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">one day when we were still in the hospital and my father was starting to feel better he said </span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond, serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">he didn’t know what would have happened to him if my brother and i hadn’t been with him </span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond, serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">in the icu everyday</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond, serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">i don’t know what would have happened to us either</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: 13.5pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"> </span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-size: 13.5pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"> </span></p>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-34436204132680674332022-03-29T10:44:00.002-04:002022-03-29T10:44:40.072-04:00to my wife<p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> </span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">these were the first masks we had</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">you made them with fabric from an old t-shirt</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">and some hair rubber bands</span></span></p><span style="font-size: medium;"><br /></span><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">it took you hours to make these masks</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">you worked as if our lives depended on them</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">in a way they did</span></span></p><span style="font-size: medium;"><br /></span><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">these masks got us through those first couple of months</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">when all we heard were the ambulance sirens</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">on nostrand and atlantic</span></span></p><span style="font-size: medium;"><br /></span><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">the love you put into these masks </span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">is the same love that has kept us going</span></span></p><span style="font-size: medium;"><br /></span><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">thank you</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">i love you</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> </span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: medium;"><span style="background-color: transparent; color: black; font-family: Garamond,serif; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> </span></span></p>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-81449205608902065492021-09-27T18:53:00.003-04:002021-09-27T18:53:31.810-04:00mais que tudo<p dir="ltr" id="docs-internal-guid-575c06f4-7fff-9f1d-3323-55a143308ee2" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;"> </span></p><p dir="ltr" id="docs-internal-guid-575c06f4-7fff-9f1d-3323-55a143308ee2" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">no dia que você fez 34 anos</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">a gente saiu pra jantar</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">e andou pela rua falando sobre</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">escolhas que fez na vida</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">a gente parou pra comprar cerveja</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">num mercado de esquina</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">e passou a noite relembrando</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">histórias no sofá-cama</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">o primeiro móvel que a gente comprou</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">quando se mudou pra cá</span></p><br /><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">a vida passa e a gente envelhece</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">juntos. o amor cresce</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">e a gente se pergunta como pode</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">depois de tanto tempo</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">no dia que você fez 34 anos</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">você adormeceu no sofá-cama</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">e eu escrevi um poema pra te dizer te amo</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">mais que tudo</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;"> </span></p>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-47428834461135844332021-06-30T09:02:00.003-04:002021-06-30T09:02:43.226-04:00<p> </p><div>a gente se encontra</div><div>na luta pelo que acredita</div><div><br /></div><div>a gente se encontra</div><div>por conversas</div><div>por gritos e cantoria</div><div><br /></div><div>a gente se encontra</div><div>por abraços</div><div>por lágrimas </div><div>compartilhadas</div><div><br /></div><div>a gente se encontra</div><div>pra sentir que outro mundo</div><div>é possível</div><div><br /></div><div><br /></div>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-25878527922694631092021-05-19T15:32:00.004-04:002021-05-19T15:32:37.617-04:00<p dir="ltr" id="docs-internal-guid-9412b9e8-7fff-68b7-809a-f814ae826e81" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "Times New Roman"; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: medium;"><br /></span></span></p><p dir="ltr" id="docs-internal-guid-9412b9e8-7fff-68b7-809a-f814ae826e81" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "Times New Roman"; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: medium;"><br /></span></span></p><p dir="ltr" id="docs-internal-guid-9412b9e8-7fff-68b7-809a-f814ae826e81" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "Times New Roman"; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: medium;">tempo de adoecimento e morte. de vontade</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "Times New Roman"; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: medium;">de chorar o tempo inteiro</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "Times New Roman"; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: medium;"><br /></span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "Times New Roman"; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: medium;">tempo de cansaço medo desalento</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "Times New Roman"; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: medium;">de abismos novos</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "Times New Roman"; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: medium;">e abismos antigos cada vez mais profundos</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "Times New Roman"; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: medium;"><br /></span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "Times New Roman"; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: medium;">tempo de organização e revolta</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "Times New Roman"; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: medium;">de juntar forças e achar frestas </span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "Times New Roman"; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: medium;">pra respirar resistir</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "Times New Roman"; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: medium;"><br /></span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "Times New Roman"; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: medium;">tempo de amor e cuidado </span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "Times New Roman"; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: medium;">de esperança e luta por viver e morrer </span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "Times New Roman"; white-space: pre-wrap;"><span style="font-size: medium;">com dignidade</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "Times New Roman"; white-space: pre-wrap;"><span style="font-size: medium;"><br /></span></span></p>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-50871887848552105342021-03-07T10:33:00.003-05:002021-03-07T10:33:33.538-05:00toda a diferença<p dir="ltr" id="docs-internal-guid-7f158124-7fff-2679-f99c-eb5369e63977" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: #444444; font-family: 'Times New Roman'; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;"><br /></span></p><p dir="ltr" id="docs-internal-guid-7f158124-7fff-2679-f99c-eb5369e63977" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: #444444; font-family: 'Times New Roman'; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">a gente não sabe e morre assim </span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: #444444; font-family: 'Times New Roman'; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">o passado é feito de pedras </span></p><br /><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: #444444; font-family: 'Times New Roman'; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">e o tempo não apaga a nossa tristeza </span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: #444444; font-family: 'Times New Roman'; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">saudade não escolhe a hora </span></p><br /><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: #444444; font-family: 'Times New Roman'; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">nem pede licença </span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: #444444; font-family: 'Times New Roman'; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">e a gente se afoga</span></p><br /><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: #444444; font-family: 'Times New Roman'; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">em lembranças de areia </span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: #444444; font-family: 'Times New Roman'; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">em vidas jogadas pela janela </span></p><br /><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: #444444; font-family: 'Times New Roman'; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">o que a gente chama de amor </span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: #444444; font-family: 'Times New Roman'; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">é toda a diferença</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="background-color: transparent; color: #444444; font-family: 'Times New Roman'; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;"><br /></span></p>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-79873983869794266602020-11-14T09:36:00.003-05:002020-11-14T10:50:52.330-05:00toda a diferença <div class="_3U2q6dcdZCrTrR_42Nxby JWNdg1hee9_Rz6bIGvG1c allowTextSelection"><div><div><span style="color: #444444;"><span style="font-family: Times New Roman,serif; font-size: 12pt;">a gente não sabe e morre assim </span>
</span><div dir="ltr"><div style="font-family: Calibri, Helvetica, sans-serif; font-size: 12pt;"><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"><span style="color: #444444;"><span style="font-family: Times New Roman,serif; font-size: 12pt;">o passado é feito de pedras </span></span></p>
<p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"><span style="color: #444444;"><span style="font-family: Times New Roman,serif; font-size: 12pt;">e o tempo <strike>não</strike> apaga</span></span></p>
<p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px 0px 0px 35.4pt; text-indent: 35.4pt;">
<span style="color: #444444;"><span style="font-family: Times New Roman,serif; font-size: 12pt;">a nossa tristeza </span></span></p>
<p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"><span style="color: #444444;"><span style="font-family: Times New Roman,serif; font-size: 12pt;">saudade não escolhe a hora </span></span>
</p><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"><span style="color: #444444;"><span style="font-family: Times New Roman,serif; font-size: 12pt;">nem pede licença </span></span></p>
<p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"><span style="color: #444444;"><span style="font-family: Times New Roman,serif; font-size: 12pt;">e a gente se afoga </span></span></p>
<p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"><span style="color: #444444;"><span style="font-family: Times New Roman,serif; font-size: 12pt;">em lembranças de areia </span></span></p><span style="color: #444444;"><span style="font-family: Times New Roman,serif; font-size: 12pt;"><span> </span><span> </span><span> </span>[em dias jogados </span></span></div><div style="color: black; font-family: Calibri, Helvetica, sans-serif; font-size: 12pt;"><span style="color: #444444;"><span style="font-family: Times New Roman,serif; font-size: 12pt;"><span> </span><span> </span><span> </span>pela janela </span><span style="font-family: Times New Roman,serif; font-size: 12pt;"> </span></span><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"><span style="color: #444444;"><span style="font-family: Times New Roman,serif; font-size: 12pt;">o que a gente chama de amor </span></span>
</p><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"><span style="color: #444444;"><span style="font-family: Times New Roman,serif; font-size: 12pt;">é toda a diferença</span></span></p><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"><span style="color: black; font-family: Times New Roman,serif; font-size: 12pt;"><br /></span></p><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"><span style="color: black; font-family: Times New Roman,serif; font-size: 12pt;"><br /></span></p>
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<![endif]-->guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-65348733750267035862020-10-31T10:49:00.003-04:002020-11-02T10:50:14.484-05:00o fogo não é nada de novo<p><br /></p><div style="font-size: 12pt;"><span style="color: #444444;"><span style="font-family: times;">dias que mal me lembro</span></span></div><div style="font-size: 12pt;"><span style="color: #444444;"><span style="font-family: times;">que mal sinto se passam</span></span></div><div style="font-size: 12pt;"><span style="color: #444444;"><span style="font-family: times;">o coração é um apartamento fechado</span></span></div><div style="font-size: 12pt;"><span style="color: #444444;"><span style="font-family: times;"> </span></span></div><div style="font-size: 12pt;"><span style="color: #444444;"><span style="font-family: times;">e até as paredes têm cor de desalento</span></span></div><div style="font-size: 12pt;"><span style="color: #444444;"><span style="font-family: times;">(as janelas cobertas de poemas velhos)</span></span></div><div style="font-size: 12pt;"><span style="color: #444444;"><span style="font-family: times;">o que seria de mim sem</span></span></div><div style="font-size: 12pt;"><span style="color: #444444;"><span style="font-family: times;"> </span></span></div><div style="font-size: 12pt;"><span style="color: #444444;"><span style="font-family: times;">as tuas palavras no ouvido</span></span></div><div style="font-size: 12pt;"><span style="color: #444444;"><span style="font-family: times;">rugas nos olhos</span></span></div><div style="font-size: 12pt;"><span style="color: #444444;"><span style="font-family: times;">um corpo cansado</span></span></div><div style="font-size: 12pt;"><span style="color: #444444;"><span style="font-family: times;">milhões de mortos</span></span></div><div style="font-size: 12pt;"><span style="color: #444444;"><span style="font-family: times;"> </span></span></div><div style="font-size: 12pt;"><span style="color: #444444;"><span style="font-family: times;">e mais um outono</span></span></div><div style="font-size: 12pt;"><span style="color: #444444;"><span style="font-family: times;">pedaços de quem só pensa em pedaços</span></span></div><div style="font-size: 12pt;"><span style="color: #444444;"><span style="font-family: times;"> [e o fogo </span></span></div><div style="font-size: 12pt;"><span style="color: #444444;"><span style="font-family: times;">não é nada de novo</span></span></div><div style="color: black; font-size: 12pt;"><span style="font-family: times;"><br /></span></div>guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com0tag:blogger.com,1999:blog-5371717982577036037.post-78272111370859130452020-07-06T09:50:00.003-04:002020-11-17T11:46:10.238-05:00uma promessa<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
<div class="MsoNormal" style="line-height: 150%;">
<span style="color: #444444;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 150%;">quando
tudo parecer perdido</span></span></div><span style="color: #444444;">
</span><div class="MsoNormal" style="line-height: 150%;">
<span style="color: #444444;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 150%;">me
lembra que uma coragem vive no desespero</span></span></div><span style="color: #444444;">
</span><div class="MsoNormal" style="line-height: 150%;">
<span style="color: #444444;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 150%;">e
em sonhos que nunca nos tiraram</span></span></div><span style="color: #444444;">
</span><div class="MsoNormal" style="line-height: 150%;">
<span style="color: #444444;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 150%;">me
lembra que nada dura pra sempre</span></span></div><span style="color: #444444;">
</span><div class="MsoNormal" style="line-height: 150%;">
<span style="color: #444444;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 150%;">e
cada segundo contém a chance</span></span></div><span style="color: #444444;">
</span><div class="MsoNormal" style="line-height: 150%;">
<span style="color: #444444;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 150%;">de
um novo começo</span></span></div><span style="color: #444444;">
</span><div class="MsoNormal" style="line-height: 150%;">
<span style="color: #444444;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 150%;">me
lembra que esperança é risco</span></span></div><span style="color: #444444;">
</span><div class="MsoNormal" style="line-height: 150%;">
<span style="color: #444444;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 150%;">e
o nosso grito</span></span></div><span style="color: #444444;">
</span><div class="MsoNormal" style="line-height: 150%;">
<span style="color: #444444;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 150%;">é
parte de um eco</span></span></div><span style="color: #444444;">
</span><div class="MsoNormal" style="line-height: 150%;">
<span style="color: #444444;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 150%;">me
lembra que a dor nos quebra</span></span></div><span style="color: #444444;">
</span><div class="MsoNormal" style="line-height: 150%;">
<span style="color: #444444;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 150%;">e
não precisa</span></span></div><span style="color: #444444;">
</span><div class="MsoNormal" style="line-height: 150%;">
<span style="color: #444444;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 150%;">e
toda luta carrega uma promessa</span></span></div><span style="color: #444444;">
</span><div class="MsoNormal" style="line-height: 150%;">
<span style="color: #444444;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 150%;">nem
a pedra mais dura resiste à força</span></span></div><span style="color: #444444;">
</span><div class="MsoNormal" style="line-height: 150%;">
<span style="color: #444444;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 150%;">de
toda essa água</span></span></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
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guilherme e. meyerhttp://www.blogger.com/profile/07361975632534384584noreply@blogger.com2