domingo, 11 de setembro de 2011

The Power and the Glory






There was silence all around him.
That place was very much like the world:
overcrowded with lust and crime
and unhappy love.

It stank of heaven.

But he realized that after all
it was possible to find peace there
if you knew for certain
that the time was short.

The lightning shot down over the harbor
and the thunder beat upon the roof.

That was the atmosphere
of a whole state—the storm outside
and the talk just going on—terms like
'mystery' and 'soul' and 'the source of life'
came up over and over again
as they sat on the bed talking
with nothing to do and
nothing to believe and 
nowhere to go.





terça-feira, 6 de setembro de 2011

2011





it gets very tricky when you try to think
about W.B Yeats and poetry durin' the 30's
while encapsulated by vibrating ends
of metal and yellowed plastic stopped still
in front of a red light.

the fumes of the engine are no longer industrial revolution
and the explosion of bombs no longer progress
so how did the post-war period influenced
the future of lines and words
and changed writing forever...

while this bus keeps moving forward
through our own time's graveyard;
a wasteland of garbage we no longer need,
televisions and scattered papers, bed-frames,
empty pot-plants and old vacuum-cleaners.

Bukowski said people look like flowers at last
but today, walking down these streets,
we all still look a lot more like broken glass,
like the heat when it hangs in the air,
like the urge to forget.






segunda-feira, 5 de setembro de 2011

The Mad Square






I stare at a blank page thinking of names,
promising myself that I will never write
just for writing
and that I'll never use a word
to describe an empty space.

Robinson Jeffers,
Rimbaud,
Rachmaninoff,

someone asked for directions to Goulburn Street but I couldn't answer.

too many names in my head I guess,
too many pictures of desperation, hunger, war, prostitution and
persecution, disease and power and propaganda.
The Mad Square.


this poem exists for one reason only,
a humble tune for brave people in mad times

when the last of us lost all humanity, every dime and every meal
but not hope
or the strength to fill our lungs
and scream.





At Joan's






são quase três horas
e eu me apoio no topo de mármore da mesa
organizando poemas, miserável
a pequena lâmpada que quase não brilha
enquanto eu não brilho nada

eu tomo outro conhaque
e olho dois pequenos quadros
de Jean Paul, tão grande
eu preciso fazer tanto
ou eles apenas acontecem

a brisa é fresca
quase som algum é filtrado
através desses olhos cansados
sozinho por mim mesmo
não consigo encontrar um só poema de verdade

e se não acontecer comigo
então o que farei





(Poema traduzido de Frank O'Hara)

domingo, 4 de setembro de 2011



To Have and Have Not.






alguns fizeram a longa queda
da janela do apartamento ou escritório;
alguns tomaram quietos, em silêncio,
em uma garagem de dois carros com um motor ligado;
alguns usaram a tradição de uma Colt ou de uma Smith and Wesson;
aqueles tão bem desenvolvidos implementos
que acabam com a insônia, terminam remorso, curam câncer,
salvam da falência e acabam com as repetidas músicas na cabeça
explodindo uma saída de posições intoleráveis através da pressão de um dedo;
admiráveis instrumentos americanos tão facilmente portáteis,
carregados de efeito, tão bem desenhados pra terminar
o sonho americano quando se torna pesadelo.





(Ernest Hemingway, trecho traduzido.)